Ritenour and Grusin are back with Amparo, which interprets classical standards, includes two originals, and overall is inspired by a romantic South American sensibility. Do they pull it off? Yes, with a big assist from the Los Angeles Chamber Orchestra, as Grusin transcribes and arranges Faure, Ravel, Albinoni and Handel, all of whom, if they were alive today, might also be composing the lush movie scores that Grusin composes with ease.
As he proved in his production of David Benoit's 1989 smash Urban Daydreams, the younger brother of Dave Grusin is a master at texturing various synth textures with the acoustic piano. On his solo debut Grusin once again does a remarkable job of this, mixing up his styles along the way to include bits and pieces of funk, Brazilian and mainstream jazz, along with healthy doses of the obligatory pop jazz formulas. Though the ballads here, such as "Oracle," are likable, Grusin the player is most at home on funky and frisky numbers like the stealthy "Catwalk," which features some tasty acoustic improvisations layered sparingly amidst a contagious synth groove. The best cut is another funkfest, "Graffiti Bird," which features the very punchy solo chops of saxman Eric Marienthal.
The soundtrack to Mike Nichols' The Graduate remains a key musical document of the late '60s, although truth be told, its impact was much less artistic than commercial (and, for that matter, more negative than positive). With the exception of its centerpiece track, the elegiac and oft-quoted "Mrs. Robinson" – which only appears here as a pair of fragments – the Simon & Garfunkel songs that comprise much of the record (a series of Dave Grusin instrumentals round it out) appeared on the duo's two preceding LPs; Nichols' masterstroke was to transplant those songs into his film, where they not only meshed perfectly with the story's themes of youthful rebellion and alienation (and the inner life of the central character, Dustin Hoffman's Benjamin Braddock) but also heralded a new era in movie music centered around the appropriation of past pop hits, a marketing gimmick that grew exponentially in the years to follow…
Something of a smooth jazz oriented answer to the label's 2003 straight-ahead compilation Jazz After Dark, this highly engaging two-disc set features oft-played radio hits that have helped define the genre's generally easy grooves and colorful melodies. For diehard fans, smooth jazz has always been as about much about lifestyle as music, and these tracks will no doubt remind them just why they became devotees. All the early classics (circa mid-'70s to mid-'80s) are here, from Kenny G.'s "Songbird" and Dave Grusin's "Mountain Dance" to George Benson's "Breezin'" and Grover Washington, Jr.'s "Just the Two of Us." These are supplemented by later hits like Boney James & Rick Braun's "Grazin' in the Grass" and Dave Koz's "You Make Me Smile." But it's not simply an objective survey of smoothness at its best. The collection also seems designed to promote artists in the Concord Jazz stable – David Benoit and Russ Freeman, the Rippingtons, the Braxton Brothers, Gato Barbieri, Eric Marienthal, and Cassandra Reed, among others.
From its very start as an independent record label in 1982, Dave Grusin and Larry Rosen's GRP Records broke ground, both artistically and commercially. Known as the DIGITAL MASTER COMPANY, they were the first record company to adopt digital recording technology for all its releases, launch every release on CD world-wide, and one of the earliest to market itself as a lifestyle brand.
Reissue with the latest DSD remastering. Comes with liner notes. 2016 reissue of this live album, recorded in July 1980 at the legendary venue the Budokan in Japan over two nights. The album features a who's who of Jazz Fusion musicians including Richard Tee, Steve Gadd, Eric Gale, Ralph MacDonald, Anthony Jackson, Jeff Mironov and Dave Grusin. Grusin also arranged and conducted the Tokyo Philharmonic Orchestra on these two magical nights. How's Everything contains versions of the Sadao Watanabe classics 'Up Country' and 'Nice Shot'. a positively must-have CD for all Jazz Fusion fans. Robinsongs.
Diane Schuur, one of the greatest entertainers in the world, makes her Concord Jazz debut with Friends for Schuur and it is remarkable. Her multifaceted vocal artistry is featured in great company on 11 sensational songs including two "live" concerts that feature Ray Charles and Stevie Wonder. There is even a digitally reintroduced version of "Easy Living," featuring the great Stan Getz. Diane Schuur is regal and she's soulful, passionate, and playful and her avid listeners know immediately that her voice has all the right qualities: technique, range, and adaptability to pop, jazz, gospel, and blues. "I'd Fly" is a definite smooth jazz hit. She sings its sexy, but beautifully contoured melody, romantic lyrics with such yearning and passion that this late-night romantic ballad should land solidly on the charts…
GRP All-Star Big Band is a jazz album by the big band of the same name. The album was nominated for the Best Large Jazz Ensemble Recording at the 35th Annual Grammy Awards. The band was assembled in celebration for the tenth anniversary of GRP Records and featured the top musicians of the label. The album itself was recorded and mixed over a two day session and filmed for the accompanying video directed by Ed Libonati.
Star pianist Daniil Trifonov releases his new album My American Story – North, embarking on a very personal musical journey across the Americas. The first of a total of two albums, My American Story – North, begins in the USA, where Trifonov has spent almost half of his life. It features a collection of pieces reflecting the variety of his experiences. The album’s diverse repertoire “has given me access to many perspectives, styles, cultures, places, people, stories and forms of expression that have shaped and molded my experience of America,” says Trifonov.
Star pianist Daniil Trifonov releases his new album My American Story – North, embarking on a very personal musical journey across the Americas. The first of a total of two albums, My American Story – North, begins in the USA, where Trifonov has spent almost half of his life. It features a collection of pieces reflecting the variety of his experiences. The album’s diverse repertoire “has given me access to many perspectives, styles, cultures, places, people, stories and forms of expression that have shaped and molded my experience of America,” says Trifonov.