Type 59

Peter Steele predicted that the follow-up to Bloody Kisses would accentuate Type O Negative's melodic side, specifically for the purpose of making money. Steele's attempt at "pop-goth" actually works well for a while; his cynical take on goth rock's typical subject matter is in full swing over the first half of October Rust, and the band gleefully wallows in its stated commercialism by personally thanking the listener for purchasing the album at its start and finish. Unfortunately, the songwriting runs out of steam over the second half, and the cover choice (Neil Young's "Cinnamon Girl") doesn't lend as much this time out; the overall entertainment value suffers as a result. October Rust comes off as a promising concept and a nice try, but lacks the consistency to fully realize the band's potential

Peter Steele predicted that the follow-up to Bloody Kisses would accentuate Type O Negative's melodic side, specifically for the purpose of making money. Steele's attempt at "pop-goth" actually works well for a while; his cynical take on goth rock's typical subject matter is in full swing over the first half of October Rust, and the band gleefully wallows in its stated commercialism by personally thanking the listener for purchasing the album at its start and finish. Unfortunately, the songwriting runs out of steam over the second half, and the cover choice (Neil Young's "Cinnamon Girl") doesn't lend as much this time out; the overall entertainment value suffers as a result. October Rust comes off as a promising concept and a nice try, but lacks the consistency to fully realize the band's potential

Peter Steele predicted that the follow-up to Bloody Kisses would accentuate Type O Negative's melodic side, specifically for the purpose of making money. Steele's attempt at "pop-goth" actually works well for a while; his cynical take on goth rock's typical subject matter is in full swing over the first half of October Rust, and the band gleefully wallows in its stated commercialism by personally thanking the listener for purchasing the album at its start and finish. Unfortunately, the songwriting runs out of steam over the second half, and the cover choice (Neil Young's "Cinnamon Girl") doesn't lend as much this time out; the overall entertainment value suffers as a result. October Rust comes off as a promising concept and a nice try, but lacks the consistency to fully realize the band's potential

20th anniversary reissue of Type O Negative's 6th album "Life Is Killing Me". A relentless work from the kings of New York Gothic Metal.
In the past, Type O Negative dared the listener to sit through aural jokes to weed out the four or five cuts of ghoulish greatness only these Brooklyn boys could devise. At this point, slab number six, everyone knows what to expect from the drab four, and they now know how to deliver it consistently. Ultimately, Life Is Killing Me breaks no new ground, but engages throughout, always touching on the Type O oeuvre. "I Don't Wanna Be Me" easily qualifies as one of the band's best singles…