U 151

Advanced Techniques in Steel and Concrete Structural Design and BIM Modeling

Hidden deep beneath the sea lies the wreckage of mighty war machines, each with untold stories of battles, glory and demise. Join us on the hunt for these antiques of the deep, and unlock the mysteries and the history waiting on the ocean floor. Each episode of QUEST FOR SUNKEN WARSHIPS features authentic historical footage, CGI illustrations and archival materials of the battles being investigated, along with high-resolution underwater images and live-action, on-site explorations of the sunken wrecks by our team of courageous divers.

Surfin' Safari Review by Richie Unterberger
The Beach Boys' debut album, recorded in an era in which little was expected of rock groups in the way of strong LP-length statements, is mostly thin and awkward in both the songwriting and production departments. The title track, their first true smash, is great, as is its flip side ("409"), which was not only a hit in its own right, but was the first vocal hot rod classic. "Surfin'," their debut single (and small national hit), is also good, and one of the few Beach Boys tracks that could be said to have a garage-like quality. Unfortunately, most of the other cuts (most of which are group originals) are substandard ditties, as Brian Wilson had a way to go before honing his compositional genius. It does, however, afford a glimpse of the group as they sounded when they were a true band in the studio, before most of their parts were played by session musicians. Two of the better cuts, "The Shift" and the instrumental "Moon Dawg," have a grittier-than-usual surf rock base that would flower on 1963 hits like "Surfin' U.S.A."[Surfin' Safari/Surfin' U.S.A, a Capitol two-fer CD, combines this and Surfin' U.S.A. onto one disc, with the addition of three rare bonus cuts from the same era.]

Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), better known as Gene Vincent, was an American musician who pioneered the styles of Rock and Roll and Rockabilly. His 1956 top ten hit with his Blue Caps, "Be-Bop-A-Lula", is considered a significant early example of rockabilly. He is a member of the Rock and Roll and Rockabilly Halls of Fame. This six disc box set featuring 151 of the hit vocalist's recordings for both the Capitol and Columbia labels between 1956-1964, including 29 previously unreleased outtakes. Also contains a 48 page booklet with rare pictures from Capitol's archives…

Disco 80's does not represent a genre of music that did not exist in the 1980's although there was an increedible amount of dance music in that decade. This is about that vast amount of dance music that was part of the 80's, from the mainstream to songs you may know and didn't know it was considered a dance song, tracks that you may have forgotten about or tunes you may become a fan of. 175 songs to choose from, just over 19 hours of grooves to keep you moving, almost a full day of joy.

Devo's Hardcore documents the group's beginning as pre-Punk outcasts in the fertile Akron, Ohio, underground Rock scene. Brothers Mothersbaugh (Mark, Bob and Jim) and Brothers Casale (Jerry and Bob) along with drummer Alan Myers soon whipped up an otherworldly brand of 'devolved blues'. Recorded on various four-track machines and in tiny studios, basements and garages between 1974-1977, Hardcore reveals their strikingly clear vision: rock 'n' roll stripped bare of its collective cool and jerked back into propaganda fit for post-modern man. It's no surprise that these transmissions would soon catch the eye and ear of Brian Eno, who later produced their landmark 1978 debut album.

Engineer's Playground (The Ultimate Journey For Computer Engineering)