Ufo Rockpalast, Hardrock Legends Vol.1 (2010)

Rockpalast was a WDR (Cologne) show produced between 1974 and 1986, and revived again in 1995. The show was originally produced by Peter Rüchel and directed by Christan Wagner, and was famous for staging gigs with the leading bands of the day. The three concerts preceding Epitaph's first Rockpalast appearance were with Todd Rundgren's Utopia, Leo Kottke, and Ry Cooder. Epitaph first hit the Rockpalast stage on February 2nd 1997, and were followed that year by artists like Kate & Anna McGarrigle, Chicago, Harry Chapin, Tom Waits, Tom Petty, Rory Gallagher, Little Feat and Roger McGuinn's Thunderbird. Although two of the founder members, Cliff Jackson and Jim McGillivray, were Brits, and the lyrics were English, Epitaph was definitely a German band. As such it was quite amazing that Epitaph made it onto what was in effect Germany's answer to The Old Grey Whistle Test…

Graham Johnson’s complete Schubert and Schumann songs series for Hyperion are landmarks in the history of recorded music. Now this indefatigable performer and scholar turns to the songs and vocal works of Brahms. Each disc of this Hyperion edition takes a journey through Brahms’s career. The songs are not quite presented in chronological order but they do appear here in the order that the songs were presented to the world. Each recital represents a different journey through the repertoire (and thus through Brahms’s life). In a number of these Hyperion recitals an opus number will be presented in its entirety (in the case of this disc, Op 48). The folksongs of 1894 will be shared between all the singers in the series.

The art of Shakespeare was a recurring fascination for Mario Castelnuovo-Tedesco. In addition to two operas and numerous settings of songs and sonnets, he wrote 11 Shakespeare Overtures which here receive their first ever complete recording. Deploying all the resources of the symphony orchestra, these are some of the twentieth century's most dramatic and tuneful orchestral works, spectacular evocations of Shakespeare's greatest plays.

The art of Shakespeare was a recurring fascination for Mario Castelnuovo-Tedesco. In addition to two operas and numerous settings of songs and sonnets, he wrote 11 Shakespeare Overtures which here receive their first ever complete recording. Deploying all the resources of the symphony orchestra, these are some of the twentieth century's most dramatic and tuneful orchestral works, spectacular evocations of Shakespeare's greatest plays.

In the 1980s and 1990s, Neeme Järvi was conducting second- or third-rate repertoire for Chandos, and he's doing the same in the 21st century, but this time his performances demonstrate his serious commitment to the repertoire, which was not the case with his distinctly disinterested recordings of such third-raters as Reger and Kalinnikov.

One of Bach's more magnificent extended choruses graces the cantata BWV 12, and another less substantial but no less impressive one dominates BWV 38. These works represent some of Bach's most profoundly affecting and musically sophisticated textual and emotional representations, the former an ideal evocation of "weeping and wailing" with its unmistakably vivid chromatic descending bass-line, lurching rhythm, and agonized melody (which Bach later re-used in his B minor Mass). The pungent, reedy sound of the oboe adds perfect color and character to the whole cantata, and of course, Bach's ingenious writing, especially the obbligato parts, lifts all three of these cantatas beyond the functional to the highest artistic and spiritual level.