Ukiyo Ukiyo

Originally released in 2000, expanded version with Japanese traditional instruments, synthesizers and the Tokyo Symphony Orchestra, and Yoshiko Sakata's narration of the famous old Japanese tale, translated into modern Kyoto dialect.

Once a symbol of the Vertigo label's adventurism, Jade Warrior's lack of sales led to their dismissal in 1972, which inevitably resulted in the band's disintegration. However, the Warrior's multi-instrumentalists, Jon Field and Tony Duhig, soldiered on at the urging of Steve Winwood, whose enthusiastic support of the diminished Warrior secured the duo a deal with his label, Island. Floating World was the new-look Jade's debut, a concept album themed around the Japanese philosophy of Ukiyo, with the songs revolving around two interrelated series of compositions. It's a complex set, and helpfully this reissue's excellent sleeve notes assist in making sense of it. The compositions may be interlaced, but the album itself is as diverse as any previous Jade offering…

Originally released on Third Stone Records in 2004, this was the first officially available album from Spatialize. Sitting with the old vanguard of atari/synth/sampler production tradition, Dryad's Bubble has stood the test of time remarkably well. Layers of space synths float dreamily across breakbeats and deep basslines whilst highly manipulated samples flit in and out of the mix. A hybrid of style, comparable in places to Nodens Ictus, The Orb, FSOL, Ishq or Ozric Tentacles, Dryad's Bubble has recently been dubbed a classic of synth electronica and is often praised for it's ability to withstand repeated listens.

The first two works are for viola and a battery of percussion instruments. Pourtinade, in nine sections with highly descriptive titles whose order is decided by the performers, elicits every possible sound and color effect from the viola, and an extraordinary range of blending and contrasting textural timbres from the instrumental combinations. "Redwood," inspired by Japanese woodcuts, uses the percussion as melody instruments; often it seems incredible that a single player can produce such a wealth of sounds. Opening softly and mysteriously, it becomes quite active, and then a beautiful viola solo fades away. The Shostakovich Sonata, written in the shadow of death, is heartbreakingly moving in its lamentatious mournfulness and turbulently desperate outbursts. The piano texture is pared down to skeletal spareness; the viola mourns in the dark low register and soars radiantly up high. The Scherzo is defiantly sardonic; the Finale, full of quotes from Beethoven, ends in resignation. The playing is beautiful and projects the changing moods with a riveting, inwardly experienced expressiveness.

Once a symbol of the Vertigo label's adventurism, Jade Warrior's lack of sales led to their dismissal in 1972, which inevitably resulted in the band's disintegration. However, the Warrior's multi-instrumentalists, Jon Field and Tony Duhig, soldiered on at the urging of Steve Winwood, whose enthusiastic support of the diminished Warrior secured the duo a deal with his label, Island. Floating World was the new-look Jade's debut, a concept album themed around the Japanese philosophy of Ukiyo, with the songs revolving around two interrelated series of compositions…

Each of Jade Warrior's Island albums was a revelation, both musically and thematically. Floating World's exploration of the Japanese philosophy of Ukiyo, Waves' oceanic voyage, the ninth century Buddhist monk whose story is told on the B-side of Kites (and who takes airy flight across the flip) – all were extraordinary expeditions into the Orient…