Unbreakable (2000)

Read by Jake Wood, featuring Ronnie O'Sullivan. This audiobook includes an exclusive interview between Ronnie and Tom Fordyce.

'Night After Night: Music from the Movies of M. Night Shyamalan' celebrates one of the richest collaborations between a contemporary film director and a composer - an all-new recording of music for M. Night Shyamalan's most acclaimed films by the Emmy®- and Grammy®-winning composer and nine-time Oscar® nominee James Newton Howard.

'Night After Night: Music from the Movies of M. Night Shyamalan' celebrates one of the richest collaborations between a contemporary film director and a composer - an all-new recording of music for M. Night Shyamalan's most acclaimed films by the Emmy®- and Grammy®-winning composer and nine-time Oscar® nominee James Newton Howard. Included in 'Night After Night' are highlights from Howard's haunting scores that became part of the identity of eight of Shyamalan's eerie, mind-bending thrillers - 'The Sixth Sense' (1999), 'Unbreakable' (2000), 'Signs' (2002), 'The Village' (2004), 'Lady in the Water' (2006), 'The Happening' (2008), 'The Last Airbender' (2010) and 'After Earth' (2013). For this album, James Newton Howard created eight suites that are piano-centric and include new and original material. Featured soloists are violinist Hilary Hahn, cellist Maya Beiser and pianist Jean-Yves Thibaudet.

Born To Fly is the 2000 CD by country singer Sara Evans. Released on 10 October, 2000, this is her third full length album that featured the hit songs "I Keep Looking", "Saints & Angels", "I Could Not Ask For More" and the title track.

James Newton Howard was well-established as a keyboardist, songwriter, producer, and arranger in the realm of soft rock before he cemented his legacy as an A-list film and television composer during the '90s. Highlights of his rock resumé in the '70s and '80s had included touring and recording with Elton John and working on albums with the likes of Ringo Starr, Harry Nilsson, and Toto. After earning his first composing credit on the 1985 comedy Head Office, his first Academy Award nomination came with the 1991 drama The Prince of Tides. Known for delivering wistful chamber music, playful comedic fare, or alternatively ominous or high-octane orchestral music as called for, Howard became more and more in demand for the latter during the 2000s, due in part to his frequent collaborations with director M. Night Shyamalan.