Under Their Skin

Two CD set. Four albums plus bonus tracks from the master of exotica Martin Denny. Mono reproductions of the key albums that launched the space age bachelor pad music trend in the late 1950s. Complete with bird calls, deranged percussion, super cool vibes and Denny's distinctive piano. Including a host of hit records that launched a thousand copyists and ensured that the tiki trend, easy listening and the call of the islands would blossom. Featuring the super expensive (if you seek them out on vinyl) original mono mixes. It was 1957, down in Hawaii; some jazz guys had come in to take up the slack at the bar, playing subtle cool sounds while people drank and talked. It was the Hawaiian Village Hotel in Wakiki. The room was filled with palm trees and bamboo curtains, it was a sanctuary in the madness of the place, a stopping off point for the weary traveller, a refuge from reality. The band did long stints, fuelled by the free bar; the exotic setting slowly infused itself into their music, got under their skin. What started as a few bird calls amid the scraped percussion, shuffling drums, tinkling piano and offset vibes soon became the signature sound of the bar. The "sound effects", created by the players, increased and through chance, misfortune, rum and possibly initially boredom, exotica was born.

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The American South casts a powerful spell. The sons and daughters of those deep states might stray from their hometowns, make their fortunes and families overseas. But wherever they roam, the South is there under their skin – and one day it will call them home. So it was with Deep In My Soul: the album that lured Big Daddy Wilson from his base in Europe back to the US motherland. “It was like a homecoming,” he says. “To take it back home like this, back to my roots, was very sweet and special.”

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