Unlimited 楊千嬅

The Best of the Love Unlimited Orchestra collects 15 tracks by Barry White's groundbreaking instrumental support outfit. Their sound as assembled by White – thick layers of sweet strings, pulsing beats, chunky wah-wah guitars, plus tinkling piano and gently swelling horns – played a huge role in creating the blueprint for disco, not to mention countless porn soundtracks. In addition to backing White and his female protégées Love Unlimited, the Love Unlimited Orchestra also made their own recordings, naturally with White at the helm. Although they recorded up to 1983, their commercial heyday lasted from 1974-1977, when they charted regularly on the pop, R&B, and disco/club listings. They even scored a number one pop hit right out of the box with 1974's "Love's Theme," a watershed record in the history of disco. That's here, of course, plus the Orchestra's other chart hits: "Satin Soul," "Rhapsody in White," "Forever in Love," "My Sweet Summer Suite," "Bring It on Up," and their theme from the 1977 remake of King Kong.

A great combo from Mannheim, Germany, also known as Joy & The Hit Kids. They were mixing jazz-rock, krautrock, funk, soul, pop and psychedelic rock, with Hans W. Herkenne (drums, percussion), Albin Metz (trumpet, bass), Roland Heck (organ, piano, vibes, marimba, percussion, vocals), Dieter Kindl (bass, guitar, percussion), Gerd Köthe (saxophone, flute), Klaus Nagel (guitar, woodwind, percussion, flute) and Hans Lingenfelder (guitar). Led by extraordinary vocal skills of female singer Joy Fleming, the band released their debut 'Overground'in 1970 (released under the name 'Turbulence' in UK and 'Joy Unlimited' in the US). Their second album, 'Schmetterlinge' (which means 'Butterflies' in German) along with the debut is the most representative band's material, and certainly worth checking.

This vocal quartet originally started life as an extension of jazz band the Hi-Lo’s. From that prominent '50s band came Don Shelton, who decided to form Singers Unlimited after the Hi-Lo’s broke up in 1964. After retreating to Chicago, Illinois, where he worked on a series of television commercials, he enlisted fellow Hi-Lo’s veteran Gene Puerling of Milwaukee, Wisconsin, to join him in the city in 1967. The group was formed along with Len Dresslar and Bonnie Herman, with the express intention of recording commercials in the doo wop/vocal group idiom. Shelton’s connections in the industry ensured the group was able to exploit the market successfully, and lucrative work rolled in. However, the 30-second snatches of songs hardly satisfied their artistic ambitions, and when they found themselves with studio time left over after one session, they recorded a take on the Beatles' "The Fool on the Hill." Through visiting jazz pianist Oscar Peterson, the demo of the a cappella recording was passed to MPS Records in Germany.

STEREOPHONIC SPACE SOUND UNLIMITED's fifth release on Dionysus is a movie soundtrack about the life of international racecar driver Jo Siffert. The film follows the different stages in Jo Siffert's career and accompanies him from his humble beginnings to his great successes on the international racing circuits - literally, from rags to riches. This soundtrack may be the best of SSSU's five amazing releases…up there with the best of any European movie soundtrack from the late '60s or early to mid '70s…

A great combo from Mannheim, Germany, also known as Joy & The Hit Kids. They were mixing jazz-rock, krautrock, funk, soul, pop and psychedelic rock, with Hans W. Herkenne (drums, percussion), Albin Metz (trumpet, bass), Roland Heck (organ, piano, vibes, marimba, percussion, vocals), Dieter Kindl (bass, guitar, percussion), Gerd Köthe (saxophone, flute), Klaus Nagel (guitar, woodwind, percussion, flute) and Hans Lingenfelder (guitar). Led by extraordinary vocal skills of female singer Joy Fleming, the band released their debut 'Overground'in 1970 (released under the name 'Turbulence' in UK and 'Joy Unlimited' in the US). Their second album, 'Schmetterlinge' (which means 'Butterflies' in German) along with the debut is the most representative band's material, and certainly worth checking.