Untilted Picture

The larger-than-life story of Casablanca Records, the most successful independent record company of all time, and its creator Neil Bogart is coming to the big screen in the new motion picture, Spinning Gold, which premieres in theaters nationwide on March 31.

Thinking Like a CEO: Developing Big-Picture Thinking and Leadership Skills for Business Success

Big Wednesday is the 1978 surfing drama film and while a proper soundtrack album was not created, the music of Basil Poledouris is often enjoyed. Film Score Monthly created a limited edition disc in 2004.

Disney's pioneering 1982 effort in computer animation has garnered a small but devoted cult audience, despite–or perhaps because of–its now-dated, rudimentary vid-game aesthetic. But while designers Jean Giraud and Syd Mead gave its visual design a certain streamline moderne panache, its musical score attempts a similar back-to-the-future fusion with somewhat more mixed results. Given the composer's often chilling, landmark synthesized score work a decade earlier on Kubrick's A Clockwork Orange, Wendy Carlos seemed like an apt choice for Tron. But without her previous collaborator's taste for Beethoven, Elgar, and Rossini, Carlos's instincts wend from atmospheric, 20th-century European modernism to cheesy '50s B-film melodramatics, with the sonic limitations of '80s synth technology sometimes a burden. Still, those fond of her solo work and collaboration with Kubrick on Orange (and The Shining) will find familiar charms in "Water, Music, and TRONaction," "TRONscherzo" and "Theme from TRON." But Journey's "Only Solutions" and now all-too-ironic "1990's Theme" further fix the score firmly in the '80s. This debut CD-release of the score also features three bonus tracks, the original "TRONaction" and two other unused cues, including a solo synth rendition of the film's anthem. –Jerry McCulley

On February 27, 2001, nearly a year after the first soundtrack's release, Universal/Decca released Gladiator: More Music From the Motion Picture. This CD contained an additional 18 cuts from the film (including remixes of earlier scores, such as "Now We Are Free"). Many tracks also use dialogue from the movie, such as Maximus Decimus Meridius' quote "Father to a murdered son, husband to a murdered wife… and I will have my vengeance."

Atomic Blonde is a 2017 American action spy thriller film directed by David Leitch, in his first solo directorial credit, and written by Kurt Johnstad. It is based on Antony Johnston and Sam Hart's 2012 graphic novel The Coldest City, published by Oni Press, which revolves around a spy who has to find a list of double agents who are being smuggled into the West, on the eve of the collapse of the Berlin Wall in 1989. The film stars Charlize Theron and James McAvoy, with John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella, and Toby Jones in supporting roles.

The Woman in Red[Original Soundtrack] Review by William Ruhlmann
Stevie Wonder's career in the 1980s was a source of frustration to the fans he had earned in the '60s and '70s. In 1982, there were a few new songs on a greatest-hits album and a duet with Paul McCartney. Then came this soundtrack to a Gene Wilder comedy that was simultaneously more of a pop vocal album than most soundtracks and yet less than a full-fledged Wonder record. The gold-selling number one hit that resulted was the sappy "I Just Called to Say I Love You," a formulaic TV commercial-in-the-making. "Love Light in Flight" also hit, and the album featured Dionne Warwick on two duets and one solo. This was a pleasant record, but slight, and after four years, Wonder fans wanted more than that.