This is a great collection of Doo Wop tunes from back in the day! 587 tracks total. Lots of rare tunes from lots of groups. If you like Doo Wop and you don't have this series, you will want these. As I once read on a Doo Wop site, "Rock and Roll may be here to stay but Doo Wop never left". This series consists of 20 volumes and it is long out of print.
Collection of 30 CDs on various styles (Love, Movies, R&B, Country, World and Rock). Although you may find the collection a bit outdated since the release is from 2001, it contains some great songs… so enjoy.
Triple CD collection featured by Mamie Smith, Ed Andrews, Papa Charly Jackson, Alberta Hunter, Luke Jordan, Tommy Johnson, Bo Carter, Pinetop Smith, Charley Patton, Roosevelt Sykes, Victoria Spivey, Skip James, Leroy Carr, Lucille Boga, Blind Gary Davis, Casey Bill Weldon and many more.
This wonderful four-disc, 105-track box of postwar Afro-American gospel releases from the 1940s and 1950s was compiled by record collector and gospel historian Opal Louis Nations, and it perfectly captures what was surely a golden age for black gospel. Gospel as we now know it emerged in the South in the early '30s, an outgrowth of the right to assemble and the advent of gospel songwriters like Thomas A. Dorsey (who had sung previously in the secular arena as Georgia Tom), who brought the blues to church, tossed in some ragtime piano rhythms, and almost single-handedly created the genre to the point that his compositions were simply known as "Dorseys.
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.