Founded in 1942 by Herman Lubinsky, Savoy grew to become one of the great reputable jazz and blues labels. Reaching its zenith in the bebop ear, Savoy became renowned for its great recordings of Charlie Parker, Dizzy Gillespie, Erroll Garner, Miles Davis, The Ravens, George Shearing, Art Pepper and countless other famous names of Fifties Jazz. This compilation of Great Trumpets is drawn entirely from the famous Savoy Jazz Catalogue and is the first time that a compilation of this depth has been made available. Good jazz guitar recordings are rare birds and this compilation of standards from some of the "raves" and less popularly acclaimed guitar players of the last fifty years makes for welcome and relaxed listening.
Kenny Burrell, Pat Martino, Charlie Byrd, Grant Green and others.
This compilation unites great artists like Ronnie Laws, Wilton Felder, Wayne Henderson and Chet Baker.
Fusion for Miles brings together Eric Johnson, Bill Frisell, Pat Martino, Warren Haynes (Govt Mule), Jimmy Herring (Allman Brothers), Mike Stern (Miles Davis), Bill Connors (Chic Corea), Steve Kimmock(The Other Ones), Bireli Lagrene and Jeff Richman,each paying an inspired guitar tribute to one of the top founding fathers of contemporary jazz and fusion. These guitarists are all world renowned and collectively make a once in a lifetime musical statement.
Another gem from the creative Beegie Adair and her trio. This time, she is accompanied by Jeff Steinberg and his orchestra. A loving tribute to Tony Bennett and his illustrious career. As usual, Beegie includes one selection on the album where she plays solo piano and she picked 'I Left My Heart In San Francisco'. A beautiful rendition. This is a great album tinged with jazz overtones without losing the melodic memories of Tony's original sound. The orchestra is perfectly balanced and adds just the right touch while still allowing the familiar Beegie Adair Trio sound to shine through. If you are new to Beegie's music, this album will make you a convert to her impeccable sound and those like myself, have added it as another gem to her large catalog of great music.
Back in the '80s, Paul Murphy developed a cult following as the U.K. DJ who fueled the parties at the WAG Club's Jazz Room. By drawing heavily on the soul-jazz and hard bop records of the '50s and '60s, he developed something of an underground dance craze, one that ran parallel to Northern soul and one that got big enough to attract patrons as prominent as Jerry Dammers of the Specials. A record called The Jazz Club presented highlights from these swinging parties and Murphy continued to DJ outside of the WAG Club, but the trend faded away by the early '90s and, along with it, so did Murphy. Many years later, producer Dean Rudland eventually reconnected with Murphy via Facebook, a rekindling that led to this Ace compilation from 2014. The Return of Jazz Club: Dancefloor Classics from the Original Jazz Dance DJ is a 15-track collection culled from the Prestige and Riverside vaults…
Maretimo Records presents Maretimo Late Night Grooves Vol. 4. Enjoy the magic sound of the night. Smooth jazz & cosmopolitan lounge sounds selected by DJ Michael Maretimo.
Beautiful melodies of melancholy loved beyond borders and time. We will open the 23rd year of "Jazz Bar," Japan's best-selling and steadfast best jazz compilation. Everyone enjoys jazz in his or her own way, and the word "jazz" is full of various kinds of music. "Jazz Bar" features melodies tinged with melancholy that tug at the heartstrings. If such music were played at a jazz bar on a street corner, you might find yourself frequenting the place. This is the best compilation that has been released every year since 2001, contributing to the discovery of new masterpieces that can be considered next-generation standards and new-generation musicians. Please enjoy the beautiful songs and melodies that Yasukuni Terashima has discovered over the past year tonight.
This incredibly light, fun, and surprisingly hip three-CD collection featured by Ella Fitzgerald, Peggy Lee, Billie Holiday, Sarah Vaughan, Django Reinhardt, Chet Baker, Dave Brubeck, Miles Davis, Thelonious Monk, Lee Morgan and many more.
This is an attractive eight-CD set (+ Bonus CD), whose discs are also available as eight separate releases, that could have been a great reissue but settled for being merely quite good. To celebrate the 80th anniversary of the first jazz recording, RCA released a disc apiece covering each of the past eight decades. In listening to the music straight through, one becomes aware of RCA's strengths and weaknesses as a jazz label. Victor was one of the most important jazz labels during the 1920s, '30s and '40s, catching on to bebop a little late (1946) but still documenting many classic recordings. By the 1950s, the label's attention was wandering elsewhere; it missed free jazz almost completely in the '60s, and in the last three decades has only had a few significant artists, mostly Young Lions whose output sounds conservative compared to the earlier masters…
Only six months after the third volume of Verve Remixed was released, Verve issued this, a box combining the three volumes of the series with an additional disc of extra remixes.
Though variously rooted in hip-hop, rave and dance clubs sensibilities, the art of mixology has evolved into a potent staple of contemporary pop music. That mainstreaming reached a new zenith with the release of the first installment of Verve Remixed in 2002 and continued to expand via two subsequent collections of eclectic Jazz/R&B-rooted remixes that found a growing, enthusiasitc audience at public radio and other adult-oriented radio outlets. This set compiles those three savory, largely Downtempo anthologies of Jazz-DJ Fusion, from the reworked takes on classic vocalists like Ella Fitzgerald, Sarah Vaughan and Billie Holiday that dominated the first set to the follow-up editions' more expansive palette…