V.a. Collection Noire

Modern Talking was a German dance pop duo consisting of Thomas Anders and Dieter Bohlen. Genre-wise they were often classified under Europop. Modern Talking, who by sales are the most successful and popular group in Germany, have had a number of hit singles reaching the top-5 in many countries. Some of their most popular and widely known singles are "You're My Heart, You're My Soul", "You Can Win If You Want", "Cheri Cheri Lady", "Brother Louie", "Atlantis Is Calling (S.O.S. for Love)" and "Geronimo's Cadillac". Modern Talking's first period of activity was from 1984 to 1987. The duo reunified in 1998 and made a successful comeback, releasing more music from 1998 to 2003.

Gheorghe Zamfir is a Romanian musician, known as "The Master of the Pan Flute", a leading figure within the history of international pan flute music. Zamfir is known for playing an expanded version of the traditional Romanian-style pan flute (nai).

It may not contain everything written by French modernist composer Francis Poulenc – the solo works, the chamber works, the stage works, and the songs with piano accompaniment are naturally not included – but Charles Dutoit's five-disc set of the orchestral works, the concerted works, the sacred choral works, and the vocal works with orchestral accompaniment by Poulenc has everything else that matters and lots, lots more. It has the charming Piano Concerto and the delightful Two Piano Concerto, the impressive Organ Concerto and the beguiling harpsichord concerto called Concert champêtre, the four-movement Sinfonietta and the seven-movement Suite française, the ballet Les biches and the Concerto chorégraphique called Aubade, plus 11 other shorter orchestral works.

Michel Chion - Requiem (1993) {INA-GRM IMED-9312-CD}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 323 Mb | MP3 @320 -> 166 Mb
Full Artwork @ 600 dpi (jpg) -> 46 Mb | 5% repair rar
© 1993 INA-GRM / Empreintes DIGITALes | IMED-9312-CD
Modern Classical / Musique Concrète

Chion began splicing together tape making musique concrete in France in the '70s. The title track to this collection of pieces is a 37 minute 16 second dark, mysterious, and at times demented version of the classic "Funeral Mass." "Funeral Mass" is the basis for all classical requiems. While such classic requiems glorify the suggestion of eternal life suggested by the religious interpretation of death, Chion's work probes the existential panic of those living under the threat of death. A dark, kaleidoscope collage of cruel whispers, snippets of choral works, and eerie, segmented sacred string music promote a feeling of uneasiness and abandonment.