2019 release from the British acid jazz band, released in celebration of their 40th anniversary. This album offers a rich sonic journey at every turn that features special guests Maysa, Phil Perry, Take 6, Mario Biondi and many others, collaborating with band members past and present, along with the talented new 'Cogs'. It's a record of brand-new, original tracks that would feel right at home featuring on any of their most enduring, classic releases from the past.
Tomorrow's sole album was a solid effort, with quite a few first-rate tracks. "My White Bicycle" was one of the first songs to prominently feature backward guitar phasing, "Real Life Permanent Dream" has engaging English harmonies and sitar riffs, "Revolution" is an infectious hippie anthem, and "Now Your Time Has Come" features intricate riffing from Steve Howe. "Hallucinations," with its irresistible melody, gentle harmonies, and affectingly trippy lyrics, was perhaps their best track. The more self-conscious English whimsy - populated by jolly little dwarfs, Auntie Mary's Dress Shop, colonels, and the like - is less successful, although the band's craftsmanship is strong enough to avoid embarassment.
Tomorrow's Gift first album is a true German Krautrock classic. Powerful long tracks with plenty of guitar, organ, flute and drum solos and of course with Ellen Meyers strong vocals, often compared with Inga Rumpf from Fumpy or Janis Joplin. Indeed Tomorrows Gift and Frumpy musically had a lot in common and are highly appreciated by many fans till today. The recordings were newly remastered and for the first time there is a comprehensive story of the band with a lot of unseen photos describing the decline and fall of Tomorrows Gift written by band founder Manfred Rürup. CD comes with a 28 pages booklet.
This Chandos release is the second such prizewinners’ showcase from Yuli Turovsky’s Orford International Competition, the winners being invited to commit their respective concertos to disc with I Musici de Montreal. The result is an attractive coupling of three lesser-known works performed with freshness and enthusiasm. The programme makes a logical sequel to last year’s Glazunov/Arensky coupling, although the Glazunov will not be to everyone’s taste. The Yamaha piano is hard-edged and uneven in tone, and it is used by Herskowitz to hammer home the musical arguments in the grand manner.
It has the same name as the Crüe’s 1998 compilation, along with 13 of the same tracks, but the 2009 Greatest Hits is a different beast than its predecessor, weighing in at 19 tracks instead of 17 and sequenced chronologically instead of the year-skipping hodgepodge of 1998. These are all improvements, as are the swapping of a 1997 version of “Shout at the Devil” for the original and the addition of the 1983 song “Too Young to Fall in Love,” all helping to make this edition of the Crüe’s much-recycled Greatest Hits their best comp yet.
It has the same name as the Crüe’s 1998 compilation, along with 13 of the same tracks, but the 2009 Greatest Hits is a different beast than its predecessor, weighing in at 19 tracks instead of 17 and sequenced chronologically instead of the year-skipping hodgepodge of 1998. These are all improvements, as are the swapping of a 1997 version of “Shout at the Devil” for the original and the addition of the 1983 song “Too Young to Fall in Love,” all helping to make this edition of the Crüe’s much-recycled Greatest Hits their best comp yet.
4CD box set celebrating the new post-Jam era and the mod scene as it progressed after their break up. 92 tracks showing the scene as an underground network and an influence on the mainstream music scene. With rarities on CD for the first time including singles by Wipeout, The Playn Jayn and Steve Cradock’s first band The Boys.
By 1974, the phenomenon known as T. Rextacy was on the wane. The group had always been Bolan's vehicle, but the departure of some original members, the addition of three backup vocalists, and the name change, to Marc Bolan And T. Rex, signaled a significant new direction for the band.