VA From Far It All Seems Small

Once considered a remote backwater, Seattle, Washington, and its underground music scene, existed in a state of seclusion. It was a city isolated both geographically from the rest of the country and commercially from the entertainment industry machinations of the major cultural hubs. With technological advancements making the world a smaller place, a huge influx of corporate money changing the demographics of the city itself, and staggering population growth – not to mention the sudden explosion of worldwide interest in Seattle’s musical exports in the early 1990s – the place is not quite the distant territory it once was. Yet, the Emerald City’s subterranean musical petri dish has remained largely a scene unto itself, comprised of devoted DIY practitioners building their community and creating their noise in obscurity.

Once considered a remote backwater, Seattle, Washington, and its underground music scene, existed in a state of seclusion. It was a city isolated both geographically from the rest of the country and commercially from the entertainment industry machinations of the major cultural hubs. With technological advancements making the world a smaller place, a huge influx of corporate money changing the demographics of the city itself, and staggering population growth – not to mention the sudden explosion of worldwide interest in Seattle’s musical exports in the early 1990s – the place is not quite the distant territory it once was. Yet, the Emerald City’s subterranean musical petri dish has remained largely a scene unto itself, comprised of devoted DIY practitioners building their community and creating their noise in obscurity.

Once considered a remote backwater, Seattle, Washington, and its underground music scene, existed in a state of seclusion. It was a city isolated both geographically from the rest of the country and commercially from the entertainment industry machinations of the major cultural hubs. With technological advancements making the world a smaller place, a huge influx of corporate money changing the demographics of the city itself, and staggering population growth – not to mention the sudden explosion of worldwide interest in Seattle’s musical exports in the early 1990s – the place is not quite the distant territory it once was. Yet, the Emerald City’s subterranean musical petri dish has remained largely a scene unto itself, comprised of devoted DIY practitioners building their community and creating their noise in obscurity.

You can't argue with a great concept: Songs sung by Frank Sinatra are interpreted by a slew of indie rock and punk bands. A great concept, but one that makes for truly (and gloriously) unpredictable results. Chairman of the Board is, of course, not a perfect record, but it offers up some true gems.

4CD box set celebrating the new post-Jam era and the mod scene as it progressed after their break up. 92 tracks showing the scene as an underground network and an influence on the mainstream music scene. With rarities on CD for the first time including singles by Wipeout, The Playn Jayn and Steve Cradock’s first band The Boys.

Everybody’s favorite source for the hard stuff is back in business, with ten more lethal doses of rare hard rock, heavy psych and proto-metal! Hard to believe we’re eight Trips in and we haven’t lost any steam since the get-go. As usual, we’re laying the heaviness on you in the most legit way possible. These obscure tracks have all been licensed, the bands have been paid, and the sources are all analog. The quality of tracks seems increase along with the number of Trips and this cohesive collection comes outta the gate with both guns blazing!