VA Rock N Roll Love Songs (2009)

For anyone in their mid-teens in the mid-5Os, and into music, it had to be rock'n'roll - American rock'n roll. There was no British equivalent to the sound. In the UK, it was Chuck Berry, Elvis Presley, The Platters, Alan Freed, Radio Luxembourg, Voice Of America. If the right people get to know about this and hear the quality, this will sell and sell.

The brilliance of this collection is that it combines the standard Brit-punk anthems by the Sex Pistols, the Damned, the Buzzcocks, and Stiff Little Fingers with other great songs that typify the variety and range of punk-era independent music from both sides of the Atlantic. The songs are so well chosen that the punk aesthetic is further revealed by the inclusion of songs that characterize pub rock, new wave, and other related genres. The usual punk suspects ("New Rose," "Anarchy in the UK") are all here, along with many other treasures: Dr. Feelgood's "Milk and Alcohol", Devo's "Mongoloid," Jonathan Richman's "Roadrunner," Talking Heads' "Psycho Killer," and Television's "Marquee Moon." The less commonly anthologized punk selections are inspired, too: the Ruts' "Babylon Is Burning," Generation X's "Ready Steady Go," and X-Ray Spex's "Identity," along with the seminal "Sheena is a Punk Rocker." The conception of the genre is expanded further to include Elvis Costello, Iggy Pop, XTC, Joe Jackson, the Pretenders, the Tubes, and Blondie, and their presence overcomes the tendency for boring repetition on a very long collection.

Whole Lotta Blues: The Songs of Led Zeppelin gathers blues artists young and old to either a) perform the original versions of classic blues songs later adapted to fit the Led Zeppelin repertoire, or b) cover Zep originals in traditional blues style…

Among musicians, Arthur Alexander was always considered one of the greatest R&B songwriters. Both the Beatles and the Rolling Stones covered his songs, "Anna (Go to Him)" and "You Better Move On," respectively, early in their careers. But they weren't the only ones – throughout the years, his work was rich source material for many blues, soul, rock, and country artists. He may have earned the recognition of his peers, but he remained relatively unknown to the general public, right up to his death in 1993. In order to raise his profile, Razor & Tie released Adios Amigo: A Tribute to Arthur Alexander in 1994, assembling a stellar and diverse lineup to record new versions of his songs. The diversity and the fresh arrangements illustrates the depth of Alexander's songs and how well they lent themselves to new readings. Like any tribute album, Adios Amigo is uneven, with a few tracks falling flat, but the best moments – Elvis Costello's "Sally Sue Brown," Robert Plant's "If It's Really Got to Be This Way," Chuck Jackson's "You Better Move On," Frank Black's "Old John Amos," John Prine's "Lonely Just Like Me," Gary U.S. Bonds' "Genie in the Jug," Graham Parker's "Every Day I Have to Cry" and Nick Lowe's "In the Middle of It All" – are affectionate salutes to a departed master, and they're damn enjoyable in their own right as well.

After two critically acclaimed but only moderately selling albums, los Lobos were hired to record songs for the film biography of Hispanic '50s rocker Ritchie Valens, resulting in this soundtrack album, which, in addition to eight los Lobos recordings, features tracks by Marshall Crenshaw, Brian Setzer, and others. los Lobos' remake of the title song topped the charts, as did this album, which went on to sell two million copies. The result has been something of a career dilemma for the band, who went back to being a critically acclaimed, modest seller afterward.

It may not be the "ultimate" collection of hits from the 1970's, but this ten disc set does indeed offer 198 of the songs that helped define the decade. Happily, they are all original recordings by the original artists, as they were heard on the radio. True, in a few cases that means the selections are "radio edits" (Rod Stewart's 1971 hit "Maggie May", for example, is missing the 30 second instrumental introduction that was included on the original album, but rarely played over the airwaves), but why quibble? The songs, though not necessarily remastered, all sound great, and the set includes some genuine treasures that have not (yet) been offered on other compilations. Highly recommended!