Valleyheart Justin Rutledge

Destined to be musicians? The female composers to whom Baroque violinist Sophie de Bardonneche pays tribute enjoyed very different fates: while the name Elisabeth Jacquet de La Guerre (1665-1729) continued to be remembered, who knows Mlle Duval (born around 1718), the second woman to have a work presented at the Paris Opera and nicknamed 'la Legende' in her time? Her opera-ballet, Les Genies, remains a testament to her great mastery. Then there were Anne-Madeleine Guesdon de Presles and Elisabeth-Louise Pellecier, composers married to composers - the latter signed her works with the name of her husband, Papavoine… Others found it easier to achieve the limelight because they were aristocrats, like Mlle de Menetou (1679-1745). No fewer than ten female composers are brought back to life in this programme of sonatas, overtures and dances devised by Sophie de Bardonneche, a founder member of Le Consort, who is accompanied on her first solo album by her partners Lucile Boulanger and Justin Taylor.

"[Moore] engages in a bait and switch: cloaking old-school values with new-school references. He is in no way a dissenter, merely someone who understands that old forms can stand even stronger with injections of new ideas […] Mr. Moore is solid in his convictions: that country music of the 1970s, the more accessible side of the outlaw years, is worth preserving, and that the true modern spirit of that sound is mindful of the rest of the world." Rolling StoneOff the Beaten Path is the third studio album by American country music artist Justin Moore. The album includes duets with Miranda Lambert and Charlie Daniels. The album includes the singles "Point at You", "Lettin' the Night Roll" and "This Kind of Town".

Justin Tokimitsu Nozuka (born September 29, 1988) is a Canadian-American singer and songwriter. His debut album Holly has been released in Europe, Canada, Japan and the United States. He has licensed the album to indie label Coalition Entertainment Records, distributed by Warner Music in Canada, Outcaste Records in the UK/EU distributed by EMI and Glassnote Records in the US distributed by Universal Music Group.

"Somebody to Love" is a song performed by Canadian recording artist Justin Bieber. The song serves as the second single from his album, My World 2.0. It was written by Bieber, Heather Bright, and The Stereotypes, and produced by The Stereotypes. The song was originally recorded as a demo by Bieber's mentor, R&B singer, Usher.

Filmtrax will release a soundtrack album for the film adaptation of Anna Todd’s best-selling novel After. The album features the film’s original music composed by Justin Caine Burnett (Dungeons & Dragons, Getaway). After is directed by Jenny Gage and stars Josephine Langford, Hero Fiennes Tiffin, Selma Blair, Inanna Sarkis, Shane Paul McGhie, Pia Mia, Khadijha Red Thunder, Dylan Arnold, Samuel Larsen and Jennifer Beals. The romantic drama follows a young woman armed with grand ambitions for her future, who meets a dark and mysterious man who makes her question all she thought she knew about herself and what she wants out of life. The movie was released in theaters this past April by Aviron Pictures and is now available on VOD, Blu-ray and DVD.

After years as an essential member of groups led by Ambrose Akinmusire, Thundercat, and Flying Lotus, – he’s also been tapped to round out the sound for Esperanza Spalding, Terence Blanchard, Bilal, Vijay Iyer, and many others – Brown is finally ready to extend his reach beyond the drumset to lead his own band, NYEUSI.

The RIAS-Kammerchor Berlin and its chief conductor Justin Doyle present Handel’s Messiah, together with the Akademie für Alte Musik Berlin and an all-British quartet of outstanding soloists, consisting of Julia Doyle (soprano), Tim Mead (countertenor), Thomas Hobbs (tenor) and Roderick Williams (bass). Messiah (1742) is not only Handel’s most famous work, but equally one of the cornerstones of British choral culture. Over the years, a tradition of mass performances full of pomp and circumstance took root, with the "Hallelujah" as a showstopper. This new period-instruments recording, however, aims to bring the piece back to the size and intimacy of the earliest performances.