Van Mccoy The Real Mccoy

The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with Joe Henderson, Ron Carter and Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".

McCoy Tyner forged his sound as a leader on the amazing session with Joe Henderson, Ron Carter and Coltrane bandmate Elvin Jones. All five distinctive compositions have become jazz standards. A perfect record and an essential one too. –Amazon.

McCoy Tyner - The Real McCoy (1967) {Blue Note Japan TOCJ-4264 rel 1997}
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© 1967, 1997 Blue Note / Toshiba EMI | TOCJ-4264
Jazz / Post Bop / Piano

As pure a distillation of McCoy Tyner's lyrical vision as one could ever hope for – a brilliant early standout session for the pianist as a leader! McCoy is backed up here by the energetic drumming of Elvin Jones – with whom he shares a natural empathy from their many years together under Coltrane – as well as the incomparable bass of Ron Carter, and the spirited tenor of Joe Henderson – both players who make the quartet date explode with a fresh sense of imagination – the kind of work that has McCoy stepping out strongly from the shadows of The Great One, into a hip space of his own. The set glistens with 5 Tyner originals – including "Passion Dance", "Four By Five", "Contemplation" and "Search for Peace" – all of which point towards new directions in the post-Coltrane years!

Particles presents the first ever box set anthology of Ireland's 1960s rock music scene. Only two long-out-of-print compilations have ever emerged to profile Ireland's rock roots, making this anthology doubly inviting. From the R&B/blues scene in Belfast to the late 1960s psychedelia of Dublin, People! Let's Freak Out reveals a wider account of the beat scene, and its transition into psychedelia and blues rock. While Ireland has never been given equal acclaim to that of its neighboring England, it nevertheless produced some of the most iconic and influential bands of the period. As Van Morrison and Them were leaving Belfast for London, a slew of new hopefuls arrived to establish their own niche under the nose of the dominant showband scene. Compiled here, are 125 original recordings featuring various groups from Eire and Northern Ireland, some of whom went on to huge success in the 1970s. From Ian Whitcomb to Eire Apparent, The Bye-Laws to the Belfast Gypsies and Gentry to Sugar Shack, People! Let's Freak Out is a fascinating account of Ireland's more obscure and vibrant music scene of the 1960s. Spanning five discs with rare and previously unreleased recording People! Let's Freak Out offers an excellent companion to similar anthologies such as Nuggets, Rubble, and Buried Alive.