Gilbert Gosseyn découvre qu'il n'est pas l'homme qu'il a toujours cru être. Ses souvenirs ne sont pas les siens, sa femme qu'il croyait décédée n'est pas morte, il peut même ressusciter. Mais malgré cette aptitude à se réincarner, il comprend vite qu'il n'est qu'un pion au sein d'un vaste complot. Edition intégrale de ce classique de la science-fiction qui se déroule au XXVIe siècle. …
Gilbert Gosseyn, le héros du Monde des Ā, se réveille à bord d'un astronef inconnu. Il s'interroge, la mémoire vide : qui est-il ? quelle est l'origine des messages que son cerveau reçoit ? et qui le retient prisonnier de ce vaisseau étranger ?
Peu à peu, Gosseyn retrouve la maîtrise de ses extraordinaires pouvoirs mentaux. Il réussit à regagner la Terre et retrouve Eldred Crang, Patricia Hardie et les amis qui l'ont aidé à combattre Enro le Rouge. Mais n'est-ce pas plutôt un autre Gilbert Gosseyn qu'ils ont aidé ? …
Gilbert Gosseyn n'est plus une victime. Grâce à sa maîtrise du A, il a appris à se servir de son cerveau second et est bien décidé à démasquer les acteurs obscurs d'un complot dont les ramifications ne cessent de s'étendre. Une partie d'échecs cosmique dont l'enjeu n'est autre que la survie du système solaire…
Lars Vogt continues his cycle of Beethovens Piano Concertos with the Royal Northern Sinfonia. On this second volume, the recording also includes Beethovens Triple Concerto where Lars Vogt is joined together with his longtime artistic partners Christian Tetzlaff and Tanja Tetzlaff. Vogts recordings of chamber music with the trio have gathered astonishing reviews and recording awards, including a Grammy nomination for the recording of Brahms Piano Trios (ODE 1271-2D). Beethovens Triple Concerto for Piano, Violin, and Cello in C major, Op. 56 is a work radiant with joy, described by many as a concerto for piano trio and orchestra. The work, completed in 1803, has standed unrivaled in its genre.
Lars Vogt continues his Ondine recordings with a new cycle of Beethovens Piano Concertos. Conducting the Royal Nothern Sinfonia from the keyboard Lars Vogt shows the brilliance and the beauty of these two majestic works of the classic piano concerto literature. Beethoven made an early reputation for himself as a keyboard player. Piano Concertos Nos. 1 & 5 feature two opposite sides in Beethovens career: the 1st concerto is a masterpiece by a young composer in his 20s who is already looking into new dimensions of musical expression.
Lars Vogt (1970-2022) early recordings collected here provide a document of an artist who always remained authentic, both to himself and to music. Lars Vogt never sought absolute truth, but truthfulness instead meant all the more to him. The man and the artist were always very close, never currying favour and never detached from the world. He was, instead, open and natural. / "It's incredibly gratifying when you notice that you can perhaps light a little spark, a little flame for music in people, and when music helps you to find the path to your own soul."
This is the latest and, they tell us, the last of EMI’s Simon Rattle Edition, gathering together the conductor’s complete forays into certain composers and repertoire. As with any such project the sets hitherto released have contained both treasures and duds. Even though not everything here is perfect, this set sends the series out on a high with his complete Vienna recording of the Beethoven symphonies.
The release of Bernard Haitink's new cycle of the Beethoven symphonies was one of the most talked about classical events of 2006. Over recent years many people had questioned whether another complete set of Beethoven's symphonies would ever be recorded. But Haitink's revelatory recordings have demonstrated why fresh new interpretations of Beethoven's music are so important and why the composer's music is still so relevant today.
The award-winning duo ensemble formed by Christian Tetzlaff and Lars Vogt returns to the masterworks of European chamber music with this new album that includes Ludwig van Beethoven’s three violin sonatas from Op. 30. The expressive and intimate chamber music recordings by the star duo have gathered numerous awards and their previous album also received an ECHO Klassik award in 2017.
The award-winning duo ensemble formed by Christian Tetzlaff and Lars Vogt are returning to the masterworks of European chamber music with this new album that includes Ludwig van Beethoven’s (1770–1827) three violin sonatas Op. 30. The expressive and intimate chamber music recordings by the star duo have gathered numerous awards and their previous album also received an ECHO Klassik award in 2017.