Imploding the Mirage is the upcoming sixth studio album by American rock band the Killers. It is scheduled to be released on August 21, 2020, by Island Records in the United States and internationally by EMI. It is the band's first album without lead guitarist Dave Keuning, who has not been touring or recording with the Killers since 2017. Guitar parts are covered by Killers bassist Mark Stoermer, producer Jonathan Rado, and a variety of guest musicians including Lindsey Buckingham (ex-Fleetwood Mac).
Imploding the Mirage is the upcoming sixth studio album by American rock band the Killers. It is scheduled to be released on August 21, 2020, by Island Records in the United States and internationally by EMI. It is the band's first album without lead guitarist Dave Keuning, who has not been touring or recording with the Killers since 2017. Guitar parts are covered by Killers bassist Mark Stoermer, producer Jonathan Rado, and a variety of guest musicians including Lindsey Buckingham (ex-Fleetwood Mac).
After almost two decades of hibernation under the ambient waves and dub currents of the Sargasso Sea, LSD announces the next installment of the seminal ‘Auntie Aubrey's' series, an Orb Remix Project. This 2 x CD compilation is a veritable smorgasbord of classic, new and unreleased labour-of-love remixes that span three decades yet still transcend space and time.
Brooklyn based composer/producer/performer JG Thirlwell (Foetus, Manorexia, Xordox) - who has collaborated with the likes of Zola Jesus, Melvins, Swans, Kronos Quartet and many others, and is the composer for the highly acclaimed animated TV series ‘Archer’ and 'Venture Bros’ - and Swedish multi-instrumentalist and theatre music composer Simon Steensland collaborate on a new album Oscillospira. Different yet complementary, both creators make idiosyncratic music that can be characterised by dramatic intensity, shadowy suspense, darkness and light, sometimes breathtaking and always evocative cinematics. Oscillospira is an odyssey of dark chamber prog with a cinematic bent, largely instrumental album with eerie choral parts.
While Causa Sui have always had one foot in heavy psychedelic rock, they've had the other one deep in a wide variety of esoteric styles. On this new double LP set, that other dimension of the band is being explored full-scale.
The late Esther Phillips (1935-1984) has often been considered one of the ‘unsung’ pioneers in the world of R&B, stretching back to the early ‘50s when as a child star working with famed bandleader Johnny Otis, she enjoyed a run of chart-topping singles at the age of 15, making her the youngest female artist to ever have an No. 1 R&B hit at the time. The Texas-born vocalist returned in 1962 with a soulful version of the country hit, ‘Release Me’ for Lenox Records, subsequently signing with Atlantic Records for whom she recorded a total of four full albums between 1964-1970 with a brief spell at Roulette Records in 1969.
Perdida is the eighth studio album by American rock band Stone Temple Pilots, released through Rhino on February 7, 2020. It is the band's second album with Jeff Gutt as lead singer and is "an acoustic record largely recorded on vintage instruments."
[Violinist Fabio Biondi has a singular capacity for finding something new and exciting in the music of Antonio Vivaldi whenever he considers it, a prodigious feat which he demonstrates with Concerti per La Pietà, a new collection of works calling for a variety of demanding solo challenges, superbly met by Biondi and his colleagues from Europa Galante. In his Venetian years the well-spring of Vivaldi an inventiveness was fed by the composer working with one of the leading orchestras of early eighteenth-century Europe: the one at the Ospedale della Pietà, the charitable institution which took in, cared for –and educated – girls who had been orphaned or abandoned.[/quote]
The Shadows are usually thought of as the quintessential British instrumental group and, along with the American band the Ventures and the Swedish group the Spotnicks, one of the most popular instrumental groups in the world. But that barely tells the story of their true significance in the history of British rock & roll – including the fact that they were the first homegrown British rock & roll band to dominate the U.K. charts, or that they weren't originally an instrumental group, either.