Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.
Sacred Treasures V: From A Russian Cathedral is the latest installment in the critically acclaimed Hearts of Space series of sacred choral music. Each piece from this collection is infused with a deeply devotional, solemn and lyrical quality. The voices are spacious and warm, creating an atmosphere of holiness and benediction..
All the pieces and performances are infused with a solemn and deeply devotional quality. The singing is spacious and warm, creating an atmosphere of holiness and benediction. The intention was to weave hymns and verses into a seamless tapestry in which the whole is greater than the sum of its parts, and the individual elements of the compilation become movements in a choral symphony of timeless beauty…amazon.com
At the close of the 1970s, a new, strident style of reggae developed that by the close of the year had supplanted the roots sound, continuing to dominate Jamaica’s musical landscape through to the mid-Eighties: dancehall.
George Goldner Presents The Gone Story: Doo-Wop to Soul 1957-1963 contains 65 songs representing a dead-perfect cross-section of the singles output of one of New York's great R&B labels of the late 1950s and early 1960s. The opening cut, the Dubs' slow, romantic "Don't Ask Me (To Be Lonely)," shows just how far George Goldner's conception of rhythm & blues had come in the four years since he'd founded Rama Records in 1953. Gone Records, starting in 1957, featured a more sophisticated output, oriented toward elegant, impassioned ballads rather than the dance numbers that had gone over so big in the mid-'50s.
Aside from his tremendous powers of performance, Stevie Wonder stands as one of the greatest songwriters of the late 20th century, probing the joyous peaks and depressing valleys of love and relationships. The Motown tribute album Conception: An Interpretation of Stevie Wonder's Songs has its highs and lows as well; with Stevie himself in the producer's chair (along with new-era Motown exec Kedar Massenburg), the album certainly has a lot of promise. It boasts plenty of neo-soul balladeers – India.Arie, Mary J. Blige, Brian McKnight, Joe, Musiq – as well as mainstream stars like Eric Clapton and John Mellencamp, who took musical cues from classic Stevie Wonder LPs like Talking Book or Songs in the Key of Life.