The world of pop music was hardly ready for the Velvet Underground's first album when it appeared in the spring of 1967, but while The Velvet Underground and Nico sounded like an open challenge to conventional notions of what rock music could sound like (or what it could discuss), 1968's White Light/White Heat was a no-holds-barred frontal assault on cultural and aesthetic propriety…
The Best of The Velvet Underground: The Millennium Collection is a compilation album by The Velvet Underground. It was initially released for the North American market by Polydor in October 2000 as part of their "20th Century Masters" series of budget compilations celebrating the turn of the century.
At this point in music history, it's become a given that the Velvet Underground were one of the most important and innovative rock bands of their era, and that the four albums they released during their lifespan rank with the most challenging and satisfying work in the rock canon…
THIS MONTH’S COVERMOUNT CD is a 15-track Velvet Underground Companion to blow your mind, starring Lou Reed, John Cale, Nico, Bo Diddley, Olatunji, Luna, Spiritualized, Ornette Coleman and the Velvets themselves!
Tensions were growing within the Velvet Underground following the release of their sophomore album, White Light, White Heat: the group was tired of receiving little recognition for its work, and Lou Reed and John Cale were pulling the group in different directions. The differences showed in the last recording sessions the band had with Cale in 1968: three pop-like songs in Reedx27s direction (Temptation Inside Your Heart, Stephanie Says and x27Beginning to See the Light) and a viola-driven drone in Calex27s direction (Hey Mr. Rain)n Reed told Sterling Morrison and Mo Tucker that Cale was out, and while neither was happy with the idea, faced with a choice of either no Cale or no band at all, the pair reluctantly sided with Reed. Cale played his last show with the Velvets at the Boston Tea Party in September 1968, and was fired shortly afterwards.Before work on their third album started, Cale was replaced by musician Doug Yule, formerly of the Boston group the Grass Menagerie, who had been a close associate of the band.
On January 10th, 1969, the band took to the stage and looked out across a crowd of misfits and mischief-makers. One notable attendee of the event was none other than soon-to-be Modern Lover, Jonathan Richman.