Viardot

Die Sopranistin Miriam Alexandra hat für diese Produktion ein spannendes Lieder-Programm mit hohem Repertoire-Wert (darunter einige Ersteinspielungen) der Komponistin Pauline Viardot (1821-1910) zusammengestellt. Die meisten Gedichte auf dieser CD stammen von Eduard Mörike. Aufgenommen hat sie die Lieder vergangenen August im Studio Britz des Deutschlandradios in Berlin. Begleitet wurde sie dabei von keinem Geringeren als vom renommierten Liedbegleiter und Professor Eric Schneider.

Christophe Rousset and Les Talens Lyriques make a foray into the Romantic repertoire with this tribute to Pauline Viardot, who was not only the most influential singer of the nineteenth century, but also a pedagogue and composer, whose gifts, personality and incomparable aura made her one of the leading figures of French Romanticism. Together the mezzo-soprano Marina Viotti and Christophe Rousset retrace Pauline Viardot’s versatile career and, taking up her great roles, present a musical portrait of a unique performer, who was unanimously acclaimed by the audiences of her time.

Hailed as ‘remarkable’ by The Daily Telegraph, Matilda Lloyd is a young instrumentalist with exceptional poise and musicality. She studied music at the University of Cambridge, Royal Academy of Music, and with HAkan Hardenberger at Musikhogskolan i Malmo. She has since captivated audiences and critics alike with her artistry, communication, and, in the words of Saarbrucker Zeitung (March 2020), ‘flawless sound and virtuosic technique’, with which she brings a unique flair to every performance.

Devised by Laetitia Grimaldi and Ammiel Bushakevitz, Ombres brings together songs by nine women composers whose lives span the years 1821–1964. Many of the songs were written during the so-called Belle Époque, at a time when women might be accepted as performers – especially in domestic settings – but struggled to be recognised as composers. And even in the cases when their music was heard –for instance in the fashionable salons of Paris – or published, it soon fell into oblivion. Several of the songs included here were discovered by Grimaldi and Bushakevitz in libraries and archives, having gone out of print long ago. With Ombres, the performers liberate the nine composers from their shadowy existence, and demonstrate the wide range of their music, from Cécile Chaminade’s bustling Villanelle to Pauline Viardot’s nocturnal Les étoiles or the ghostly Les lavandières by Augusta Holmès, about the Midnight Washerwomen from Celtic mythology.

The acclaimed British soprano Louise Alder returns for her second recital on Chandos, joined once again by star pianist Joseph Middleton. Enthusiastic praise was widespread for her Chandos début, Lines Written during a Sleepless Night: The Russian Connection, which earned significant accolades in the USA and continental Europe in addition to the UK. For this recording the pair explore a rich and varied selection of French songs from the late nineteenth and twentieth centuries. Louse Alder writes: 'I have always held French song very dear to my heart and when we settled on this wildly varied programme, I quickly grew excited at the prospect of exploring the art form in virtually all its styles. From Ravel to Yvain, I hope we paint pictures of a French evening, of mystery, intrigue, discovery, seduction, love, and blissful night.'

Hailed as ‘remarkable’ by The Daily Telegraph, Matilda Lloyd is a young instrumentalist with exceptional poise and musicality. She studied music at the University of Cambridge, Royal Academy of Music, and with HAkan Hardenberger at Musikhogskolan i Malmo. She has since captivated audiences and critics alike with her artistry, communication, and, in the words of Saarbrucker Zeitung (March 2020), ‘flawless sound and virtuosic technique’, with which she brings a unique flair to every performance.