Recorded between 1950 and 1958, this collection of performances focuses on the twilight years of the legendary jazz and blues singer who, along with Louis Armstrong, redefined the art of interpreting popular song in the first half of the twentieth century. Performance footage of Billie Holiday may admittedly be scant, but this issue compiles into a single release song cuts from some of Holiday's live filmed performances that are still extant.
This release compiles all of Rudy Braff’s recordings for the Bethlehem label for the first time ever on a single set. While the original EP and LP editions had incomplete sessions or combined tunes from different dates, the music is presented here with the complete sessions in chronological order a version of “You Can Depend on Me” and an entire quintet sessions fronted by Braff and Bud Freeman appear here for the first time ever on CD. The album The Rudy Braff Special (Vanguard VRS8504), from the same period, has been added as a bonus in its entirety.
This is the type of CD that frustrates completists and veteran collectors; the 13 selections are taken from a variety of sessions and the recording dates that are given are often incorrect. The great boogie-woogie pianist Albert Ammons is heard on five of the nine piano solos he recorded at Blue Note's debut session in 1939 along with a solo number apiece that were cut for Columbia and Storyville…..
2-DVD collection Featuring Charlie Parker, Lester Young, Miles Davis, John Coltrane, Billie Holiday and more! This incredible new 2-DVD set captures some of the most legendary and often discussed jazz films.
Compared with other Mercury albums by Eddie Heywood, this album (his first album on EmArcy) sounds more “Jazzy”. Very relaxed, fancy and smooth piano trio recordings, although there are few “thrilling” moments. The Eddie Heywood Sextet was very popular in the mid-'40s, playing melodic and tightly arranged versions of swing standards. Heywood's father, Eddie Heywood, Sr., was a strong jazz pianist of the 1920s who often accompanied Butterbeans and Susie. He taught piano to his son, who played professionally when he was 14. Heywood Jr. performed with bands led by Wayman Carver (1932), Clarence Love (1934-1937), and, after moving to New York, Benny Carter (1939-1940).
An extremely talented pianist, Eddie Heywood’s arrangement of Cole Porter's ''Begin the Beguine'' made his sextet one of the most popular jazz groups of the 1940’s. He also wrote the standard “Canadian Sunset,” in the 1950’s to add to his impressive resume. Heywood received his first piano lessons from his father, also named Eddie, who was a well-known band leader in the 20s. Heywood joined his father, playing piano in the pit band at an Atlanta theatre. He also accompanied singers, including Bessie Smith, and thereafter worked in various small jazz groups, including those led by Wayman Carver, Benny Carter and Don Redman.