Vicenzo Buonassisis

American tenor Stephen Costello's meteoric career has taken him to the stages of the world's top opera houses. In this, his first recording for Delos, he performs a glittering assortment of arias that will appeal strongly to any opera lover, but that will be a particular treat for fans of the bel canto repertoire. While it mainly showcases classic arias by Gaetano Donizetti, we also hear single selections by Vicenzo Bellini and Giuseppe Verdi. Polished and sensitive orchestral collaboration comes courtesy of Maestro Constantine Orbelian and his vaunted Kaunas City Symphony Orchestra. The Associated Press has called Stephen Costello ''… a prodigiously gifted singer whose voice makes an immediate impact.''

Loosely based on the novel “Vinodentro” by Fabio Marcotto, the story introduces Giovanni Cuttin (Vicenzo Amato, Respiro), a teetotal, loyal husband and bank employee living a plain and simple life. That is, until one day a mysterious “Professor” persuades him to taste a glass Marzemino wine, typical to a small area in the North of Italy, in the province of Trento.

After having been rewarded for solving the mystery of the Pink Panther Diamond, inspector Jacques Clouseau has been assigned to minor tasks by his boss inspector Dreyfus so as not to have him in his way anymore. Unfortunately, the famous diamond has once again been stolen as have many other artifacts in a series of burglaries around the world. His past success will enable inspector Clouseau to be part of the dream team comprised of the greatest detectives of the affected countries, where he will be able to display his numerous talents across the world.

Jordi Savall - La Folia, 1490-1701 (1998) {Alia Vox AV9805}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 315 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1998 Alia Vox | AV 9805
Classical / Renaissance / Baroque / Chamber Music

After years of playing the various Folias by Diego Ortiz, Antonio de Cabezón, Antonio Martín y Coll, Arcangelo Corelli and Marin Marais, it became clear to us that there were certain links between the origin and evolution of the important art of musical improvisation and variation and the viola da gamba, or bass viol, itself. In fact, it is no mere coincidence that, throughout the 16th century, and in places as different as France (Adrian Le Roy, 1551), Italy (Vicenzo Ruffo, 1564) and Germany (Matthäus Waissel, 1573), we find references in the various manuscripts and printed documents to the term “gamba”, used as a synonym for “Folia”.