Ein glückliches Leben führte sie nicht, die Markgräfin Wilhelmine (1709-1758) von Bayreuth. Als Kind wurde sie von einer geradezu bösartigen Gouvernante gepeinigt und hatte Wutausbrüche ihres Vaters, dem Soldatenkönig Friedrich Wilhelm I., über sich ergehen zu lassen, der so gar nichts vom weiblichen Geschlecht hielt. Wenngleich auch Wilhelmine wie eine Gefangene gehalten wurde, so traf es ihren geliebten Bruder, Kronprinz Friedrich, besonders hart: von seinem Vater verachtet, hatte er sogar unter Festungshaft zu leiden.
Ein glückliches Leben führte sie nicht, die Markgräfin Wilhelmine (1709-1758) von Bayreuth. Als Kind wurde sie von einer geradezu bösartigen Gouvernante gepeinigt und hatte Wutausbrüche ihres Vaters, dem Soldatenkönig Friedrich Wilhelm I., über sich ergehen zu lassen, der so gar nichts vom weiblichen Geschlecht hielt. Wenngleich auch Wilhelmine wie eine Gefangene gehalten wurde, so traf es ihren geliebten Bruder, Kronprinz Friedrich, besonders hart: von seinem Vater verachtet, hatte er sogar unter Festungshaft zu leiden.
Viktor Lazlo is a French-Belgian singer of Grenadian and Martiniquan descent. She studied in Belgium, where she is primarily known. Her biggest hit was "Breathless" in 1987. That year she also hosted the Eurovision Song Contest 1987 held in Brussels.
Viktor Lazlo is the self-titled second studio album by French-Belgian singer Viktor Lazlo. Belgium was responsible to host the Eurovision Song Contest after Sandra Kim had won in 1986 with her song J'aime la vie. Lazlo was asked to host the event as she is fluent in several languages and thus her self-titled album became very successful all over Europe, entering the Top 20 album charts in Holland, Germany, Austria and Switzerland. It spent 19 weeks on the German album charts. The first single off the album was Breathless, which was co-written by Lazlo herself and features backing vocals by James Ingram and Bunny DeBarge. An official video was shot for the song and she also performed it at the beginning of the Eurovision Song Contest in 1987. The song reached No. 7 on the Belgian single charts. The songs Take Me and You Are My Man were also released as singles.
This album explores music for viola da Gamba and organ from 17th-century Austria, played by Viktor Toepelmann and organist Daniela Niedhammer on original instruments from that time. The recording took place in a small village church in Austria, which houses an original church organ from 1662. The viola da gamba used for this recording is a bass viol built by Hans Khögl in 1674. Together with the special acoustics of this beautiful church, the two musicians dive deep into the emotional and intimate music of that era, creating a meditative and most pleasant listening experience.