Vincent Message

Vincent Price is taken from the #1 album Now What?!. Tracks 3 & 4 are taken from now deleted limited edition of "Rapture of The Deep".

En 1830, le Congrès américain adopte, à l'initiative du président Andrew Jackson, une loi autorisant l'expulsion vers l'Oklahoma des tribus indiennes implantées dans le sud-est du pays. Au terme de huit ans de résistance politique et juridique, la plus évoluée des " cinq nations civilisées " - celle des Cherokees - dut finalement se soumettre, quitter ses terres ancestrales de Géorgie et se retrouver, …

Although under Appreciated and Woefully Overlooked During their Original Tenure Together, the Fine Early-'70s Outfit Cymande were One of the First to Merge African Rhythms with Rock, Funk, Reggae, and Soul. Despite Members Hailing from Such Exotic Locales as Guyana, Jamaica and St. Vincent They Formed and Recorded in London Town. The Band Issued a Total of Three Releases: 1972's Self-titled Debut, 1973's "Second Time Around" and 1974's "Promised Heights" Before Splitting Up . Through the 80s their Currency Grew with Tracks Such as 'the Message' and 'bra' Becoming Big Records on the Rare Goove Scene and Today They Are Arguably Better Known Than Ever with Several of their Songs Having Been Sampled by Rap Artists Including De La Soul, the Fugees, Raze, Master Ace, MC Solaar, and DJ Kool.

Publié pour la première fois aux États-Unis en 1952, ce livre contient un message qui n'a rien perdu de sa portée universelle: il nous enseigne que c'est en convertissant nos émotions négatives en attitudes positives que nous pouvons connaître une vie bien remplie et satisfaisante. …

Allen's a decent though hardly extraordinary mainstream drummer who here leads an all-star neo-bop contingent in a set of standards and originals. Nothing surprising about the general conservatism of the date, given the personnel – Vincent Herring on alto sax, Nicholas Payton on trumpet, and Cyrus Chestnut on organ, to name a few. There's also nothing in particular wrong with the music, which is heartily played and deeply felt. Nothing, that is, except for the fact that it's covering ground that's been pretty much trampled into dust. It's a pleasant-enough listen, however, and since Cannonball Adderley isn't around to make albums like this anymore, maybe it's a good thing that musicians like these are. On the other hand, as long as guys like Johnny Griffin, Joe Henderson, and Phil Woods still walk the planet, the need is somewhat diminished.