Sex Mob Does Bond is the soundtrack to an imaginary James Bond flick, and a tribute, of sorts, to the music of John Barry. Aside from the leadoff track and its reprise ("Dr. Yes," ostensibly the title of the film), the program is a collection of Barry tracks taken from various Bond films. As always, Sex Mob applies its own swaggering brilliance to the proceedings, spicing up the somewhat familiar music with outrageous musicianship and a sly grin. Joined by guests John Medeski (organ) and the Sex Mob Soul Choir (backing vocals), Sex Mob rip through the Barry songbook, infusing each piece with a sexy, almost trashy vibe that was always subdued in the Bond films..
Although Japan later became one of new romantics' poster children, their 1978 Adolescent Sex LP predated the movement by two years. A remarkable debut, the set snarls with leftover punk intent, a few glam rock riffs, and a wealth of electronics that not only reach back to the band's youth, but also predate much of what would explode out of the next wave of British underground. Sounding absolutely nothing like MTV's mainstream Japan, the quintet snarls across the opener "Transmission," all snotty lads and frazzled hair, setting the stage for what follows…
A sex guide for all living things and a hilarious natural history in the form of letters to and answers from the preeminent sexpert in all creation. …
Japan's evolution from rather humble glam rock beginnings into stylish synth pop (and beyond) made the British group one of the more intriguing and successful artists of their era. Formed in London in 1974, Japan began its existence as a quintet comprised of singer/songwriter David Sylvian, bassist Mick Karn, keyboardist Richard Barbieri, drummer (and Sylvian's brother) Steve Jansen and guitarist Rob Dean…