Vinyl Hi Res

AAA Cut From The Original Stereo Master Tapes By Kevin Gray. Pressed On 180-Gram Heavyweight Vinyl At Optimal. Heavyweight Glossy Gatefold Jacket. Features Detailed Liner Notes By James Austin In Conversation With Frontman Billy Gibbons.

180-gram vinyl. Cut from original analog master tapes by Kevin Gray at Cohearent Audio. Includes exclusive, illustrated 4-panel insert featuring new interview with producer Glyn Johns and Faces' Kenney Jones. Limited numbered edition of 5,000. ABOUT THE RHINO HIGH FIDELITY SERIES Rhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we've raised the bar with a premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging. To ensure consistent sonic excellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and “tip-on” jackets, an old-school aesthetic that evokes the golden age of vinyl.

A definitive 8LP library chronicling Billy Joel’s evolution as a songwriter, performer and recording artist during his rise from obscurity to international superstardom in the 1970s, The Vinyl Collection, Vol. 1 brings together the artist’s first six solo studio albums (Cold Spring Harbor, Piano Man, Streetlife Serenade, Turnstiles, The Stranger, 52nd Street) with his first live album (Songs in the Attic) and an exclusive pressing of Live at The Great American Music Hall – 1975, a previously unreleased concert recording available for the first time in the boxset as a double 12″ vinyl album. All titles have been sourced from the original album tapes and prepared by Ted Jensen at Sterling Sound. The boxset includes a 50+ page booklet highlighting Billy’s early career through archival photos, an essay by Anthony DeCurtis, Billy’s personal observations and insights on his songs and albums, and tributes from his fellow musicians, artists and celebrities.

Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records!
1992 multi-platinum album from the Stone Temple Pilots, a cornerstone of 1990s alt rock! Includes "Sex Type Thing" and "Wicked Garden" 180-gram 45 RPM double LP Mastered by Ryan K. Smith from the original master tape Pressed at Quality Record Pressings. Tip-on old style gatefold double pocket jackets by Stoughton Printing.

Recorded live on 2014-12-05 at The BBC Maida Vale Studios, London. Deluxe gatefold packaging - 2 LP SetLimited pressing on Colored vinyl. Pressed on 180 gram vinyl.

Limited double 180gm vinyl LP pressing in gatefold sleeve includes bonus track. The Supremes, the most commercially successful girl group in Pop history, were one of the jewels in Motown Records' artist stable. Given wonderful material by Motown's amazing songwriters, the group scored numerous #1 Pop hits, as did singer Diana Ross when she left the group and went solo, and Motown's bright, modern and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. Two dozen of those Number One hits, both as The Supremes and as Ross solo, are collected here, including the timeless classics 'Come See About Me', 'You Can't Hurry Love', 'You Keep Me Hangin' On' and 'Stop! In the Name of Love'. The album also features a bonus remix of 'You Keep Me Hangin' On'. Several songs on this album are longer than the original versions.Mastered and Tracks on Side One, Side Two & Side Three Track #1 Mixed by: Suha Gur at Universal Mastering Studios-East. Exclusively remastered. 180 gram audiophile vinyl pressing.

All Analog Process (AAA) From The Original Master Tapes. Cut By Kevin Gray At Cohearent Audio. Lyric Sleeve Included. Ltd Feather Blue Vinyl Edition. In 1970, one of the leaders of the musical Mardi Gras Indian Tribes movement, The Wild Magnolias, became the first band to have a commercial recording released as a Mardi Gras Indian group. The band’s legendary performances at the New Orleans Jazz & Heritage Festival also helped them launch into the recording of their 1974 debut LP—the self-titled The Wild Magnolias which we are so pleased to present to you here. Easily some of the most fantastic New Orleans funk and soul ever laid down on vinyl. Eight songs that don’t let up with its street-beat funk, call-and-response vocals (with lyrics like “just a few puffs to make you feel all right” leading the charge) and a recording that captures the unhinged mania of so many talented musicians crammed into a studio making a stone-cold classic.

Mastered By [LP Mastering] – Kevin Gray. Dexter Gordon experienced a career renaissance with his momentous comeback on Blue Note in the early 1960s which produced numerous all-time classic albums. In 1980, producer Michael Cuscuna dug into the vaults to compile Landslide, a collection released as part of the LT Series that was comprised of previously unreleased tracks that the legendary saxophonist had recorded for the label during three different sessions in 1961-62 with a varied cast of musicians including trumpeters Tommy Turrentine and Dave Burns; pianists Kenny Crew, Sir Charles Thompson, and Sonny Clark; bassists Paul Chambers, Al Lucas, and Ron Carter; and drummers Philly Joe Jones and Willie Bobo. The 7-song set is a showcase of Gordon’s hard-swinging improvisational creativity and brilliant balladry.

Mastered from the original analog tape by Ryan K. Smith at Sterling Sound. Praise for our 45 RPM version. "…The Analogue Productions sound is visceral and crisp in the best sense, and the quiet pressings ensure that no musical detail is even mildly obscured…with these 45 RPM LPs, if your system is up to the task, you'll hear boundless high-frequency reach and lavish dynamic nuance and harmonic delicacy." - Marc Mickelson, The Audio Beat.

Cut From The Original Analog Master Tapes By Kevin Gray. All Analog Process (AAA). High Quality Vinyl Release. Original Gatefold Design. All runouts are etched. In 1962, legendary jazz pianist Bill Evans collaborated for the first time on record with jazz guitarist Jim Hall to create the landmark album Undercurrent. And even though it is a two-person improvisational affair, it is almost unfathomable that these two giants alone fill up all the grooves on this record. The thoughtful interplay between these two musicians created such a beautiful, lush, and emotional journey that their work influenced many. At the time of this recording, Bill Evans was one of the top jazz pianists (his performance with Miles Davis on Kind Of Blue is still a high-water mark), but he had stopped performing and recording after the death of his peer, bassist Scott LaFaro.