A program that gives pride to the famous collection of Cantigas de Santa Maria, Galician songs recounting legends and miracles of the Virgin, alternating with Marian songs of the troubadours Guiraut Riquier and Folquet Lunel (longtime present at the Alfonso X king's court) and polyphonies from the exquisite codex Las Huelgas.
France's Quatuor Ebène has been known for its classical-pop fusion experiments (they dislike the term "crossover"). Here they stick with classical string quartet pieces, but their style and choice of music is still plenty unusual. The chief repertory attraction here is Fanny Mendelssohn's String Quartet in E flat major, composed in 1834. This work, the composer's only string quartet, is not usually included in comparisons of music by Felix Mendelssohn and his older sister, but it deserves to be better known.
Unanimously acclaimed by her peers, the music-loving public and the press, French pianist Catherine Collard (1947-1993) died far too soon. The memories of her concerts, master classes and generosity are still very much alive today. The recordings made for Erato and EMI gathered here bear witness to her exceptional talent.
Among the many genres Beethoven used to build on his reputation upon his arrival in Vienna, the violin sonatas allowed him not only to demonstrate his own prowess on the keyboard, but also played to the increasing popularity of chamber works that might be attempted by sophisticated amateurs. Following Mozart's trend of liberating the violin from a mere secondary role, Beethoven continued to bring about the equality of both instruments in all of his duo sonatas. Performing these 10 sonatas is the splendid duo of violinist Renaud Capuçon and pianist Frank Braley. The recordings take place in la Chaux de Fonds concert hall in Switzerland, a venue that offers listeners an exceptionally wonderful, intimate sound quality even on a CD.
Unanimously acclaimed by her peers, the music-loving public and the press, French pianist Catherine Collard (1947-1993) died far too soon. The memories of her concerts, master classes and generosity are still very much alive today. The recordings made for Erato and EMI gathered here bear witness to her exceptional talent.
"…It would be hard to imagine a more compelling case for this material than that made by Jaroussky and Emmanuelle Haïm, who plays harpsichord and conducts Concerto Köln. They invest this music with such life and devote such exquisite attention to its nuances that the album fully deserves the attention of fans of the Baroque or Vivaldi, or of anyone who simply cherishes hearing terrifically talented and spirited performers giving their all to music they clearly love. The album is beautifully produced and has clean, vibrant, and natural sound, with excellent balance." ~allmusicguide