Vittorio Bresciani Liszt Schubert Song Transcriptions

Rachmaninov was not only a brilliant pianist but also a composer, like Franz Liszt in an earlier century. They both demonstrated their talents in these areas by taking well known pieces by other composers and arranging them for concert performance on the piano. On this Naxos CD, Turkish pianist Idil Biret plays a dozen of these pieces that were worked on by Rachmaninov. One of the pieces is Liszt's own famous Hungarian Rhapsody No.2 in c sharp minor, with the addition of a cadenza by Rachmaninov.

In commemoration of the 200th anniversary of Franz Liszt's birth, Deutsche Grammophon has assembled a limited-edition, 34-CD collection, housed in a sturdy cubic package that many collectors will covet for its impressive appearance. But this comprehensive set is really aimed at serious Liszt aficionados who appreciate the diverse ways of playing this arch-Romantic's passionate music.

When Jorge Bolet died in October 1990 the world lost one of its last ‘great Romantics’. Spirituality, a luxuriant tonal palette, a real sense of architecture, breadth, grandeur, all allied to a prodigious technique – these were just some of the qualities that informed his playing. Now, for the first time, Decca collects all the recordings he made for the label, from 1977 to 1990. Released for the first time and included in this set, is his last recording, a selection of Chopin’s Nocturnes and the Berceuse, recorded just seven months before his death.

"You can freely paraphrase Louis XIV and say: I am the orchestra! I am the cho¬rus! I am also the conductor!” With these words Hector Berlioz paid homage to a man who was indeed all of these things put together: Franz Liszt.
This eulogy, however, was not only for Liszt, the man; it was also for his instrument and the compositions he wrote for it, an instrument which, also in part thanks to Liszt, became the dominant instrument of bourgeois musical culture in the 19th century: the piano. The reason for this dominance? Liszt himself gave the answer by ascribing to the piano and to the ten fingers of the pianist the ability to reproduce the sonorities and harmonies of an entire orchestra. The improvements made to the piano at that time (around 1825), e.g. the new Erard repetition action and the exponsion of the instrument's range to seven octaves, support these claims.

A native of Ukraine, pianist Sophia Agranovich continues her superb series of recordings for Centaur Records. Internationally acclaimed soloist, chamber musician, recording artist and educator, Sophia Agranovich is “a bold, daring pianist in the tradition of the Golden Age Romantics…A tigress of the keyboard” – Fanfare. Her performances are captivating audiences by the “orison of uncommon beauty” – Audiophile, “interpretation that dares to be different”, “magnificent shading and superior musicianship” – American Record Guide. A Steinway Artist, Ms. Agranovich has performed in USA, Europe, Israel, and Canada. Recently she played solo recitals at the Pennautier Festival and Juan-les-Pins in France and was invited to China and Brazil. A six-time Grammy® balloted artist, Sophia Agranovich has released ten solo albums from 2010 through 2022, including seven on Centaur label.

Berman’s first teacher was his mother, herself a pupil of Isabella Vengerova, but at an early age he had lessons from Savshinsky of the Leningrad Conservatory. Berman first played in public at the age of four, and at the age of seven he took part in a concert at the Bolshoi Theatre in Moscow, subsequently being asked to record Mozart’s Fantasy in D minor K. 397, and a composition of his own…

Although by no means Brahms’s very first composition, the Sonata in C major bears the number ‘Op.1’ and is undoubtedly one of the most brilliant débuts in musical history. No wonder no less than Robert Schumann saw Brahms as the saviour of German music. To accompany what is in every respect a dazzling work, another masterpiece was needed, and what better than Franz Schubert’s famous ‘Wanderer Fantasy’, the most virtuosic composition in his entire output.