Vivaldi Four Seasons Kremer

It’s hard to imagine performances of Bach’s violin concertos like those of Nigel Kennedy or, now, these by Daniel Hope, passing muster two generations ago. But since then, Bach’s model, Vivaldi, has enjoyed a second rebirth through the midwifery of period instrumentalists who have sped up the tempos of his fast movements and shone light through the ingeniously transparent textures of his slow ones, all the while employing a wider range of colors than hitherto imagined.

This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.

This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.

Itzhak Perlman: The Complete Warner Recordings embraces every aspect of Perlman's art. It contains concertos (the ‘essential' concertos, of course, but also more rarely-heard works, including Perlman's own commissions from living composers); other pieces for violin and orchestra; chamber music; recital and crossover repertoire (including jazz, ragtime and klezmer), and even a disc that focuses on Perlman as narrator and (briefly) opera singer. The recordings document his collaborations with the world's greatest orchestras and an array of superlative fellow-soloists and conductors, including Martha Argerich, Vladimir Ashkenazy, Daniel Barenboim, Plácido Domingo, Carlo Maria Giulini, Bernard Haitink, Lynn Harrell, Yo Yo Ma, Zubin Mehta, Seiji Ozawa, André Previn and Pinchas Zukerman.

Itzhak Perlman: The Complete Warner Recordings embraces every aspect of Perlman's art. It contains concertos (the ‘essential' concertos, of course, but also more rarely-heard works, including Perlman's own commissions from living composers); other pieces for violin and orchestra; chamber music; recital and crossover repertoire (including jazz, ragtime and klezmer), and even a disc that focuses on Perlman as narrator and (briefly) opera singer. The recordings document his collaborations with the world's greatest orchestras and an array of superlative fellow-soloists and conductors, including Martha Argerich, Vladimir Ashkenazy, Daniel Barenboim, Plácido Domingo, Carlo Maria Giulini, Bernard Haitink, Lynn Harrell, Yo Yo Ma, Zubin Mehta, Seiji Ozawa, André Previn and Pinchas Zukerman.