Vivaldi Opus 4 Musici

Visitors to Venice had borne witness to Vivaldi’s prowess as a violinist, although some found his performance more remarkable than pleasurable. He certainly explored the full possibilities of the instrument, while perfecting the newly developing form of the Italian solo concerto. He left nearly five hundred concertos. Many of these were for the violin, but there were others for a variety of solo instruments or for groups of instruments, including a score of such works for solo flute or recorder, with strings and harpsichord. He claimed to be able to compose a new work quicker than a copyist could write it out, and he clearly coupled immense facility with a remarkable capacity for variety within the confines of the three-movement form, with its faster outer movements framing a central slow movement.

This is an excellent “traditional” version of the Opus 10 Concertos. I Musici returned three times to that cycle, all for Philips. The first was in 1958 with Gastone Tassinari (who had already recorded the complete flute concertos for Vox in 1956 with an ensemble called “I Musici Virtuosi di Milano”, not the same as “I Musici”… ).

This is an excellent “traditional” version of the Opus 10 Concertos. I Musici returned three times to that cycle, all for Philips. The first was in 1958 with Gastone Tassinari (who had already recorded the complete flute concertos for Vox in 1956 with an ensemble called “I Musici Virtuosi di Milano”, not the same as “I Musici”… ).

These recordings by I Musici, with soloists Salavatore Accardo (violin) and Heinz Holliger (oboe) display both attributes in spades. The recordings were made in 1975. While maybe not displaying the same cutting-edge tempi as the most recent competition (Federico Guglielmo and Il Arte Dell'Arco in the new Brilliant Classics Vivaldi edition) they are still very very good. If you see this set for sale I wouldn't hesitate to grab it.

During the 1990s, Collegium Musicum 90 and Simon Standage released several volumes of Albinoni concertos, which proved popular with critics and public alike. The concertos were released as discs of single oboe concertos, double oboe concertos, and string concertos. In this re-issue on the Chaconne label, the concertos are presented in opus number order, showing the contrasting colours and tonalities of the concertos as they originally appeared.