Vol 714

The most beautiful arias from the Vivaldi Edition: Orlando Furioso, Atenaide, Farnace, Teuzzone, Armida, La Fida Ninfa, Orlando 1714, Griselda, Ottone in villa and much more. The album includes outstanding singers and arias that were sensational discoveries when first introduced in this series.

Although some of the other volumes in the Singphoniker's collection of Schubert's complete part-songs for male voices have greater masterpieces – Vol. 1's Nachthelle (D. 892) and Vol. 5's Gesang der Geister über den Wasser (D. 714) – Vol. 3 has the highest number of good songs and the lowest number of composition exercises, which may make it the most easily appealing volume. Starting with the glorious Wein und Liebe (D. 901) and ending with the exquisite Grab und Mond (D. 893), there are hardly any songs in this collection that are not first-rate Schubert.

In this second instalment of the complete keyboard works, Benjamin Alard demonstrates with splendid eloquence how invaluable the young Bach’s north German experience proved to be; his attentive examination of the works of the great organ masters and his craving for all kinds of music significantly broadened the stylistic foundations of his keyboard writing. The wide range of works presented here, complemented by pieces by Buxtehude, Reinken and Pachelbel, illustrates in exemplary fashion the power of a master in the making.