This is the fourth volume of Vampi Soul's "R&B Hipshakers" series, featuring 20 terrific dance cuts selected by genre expert Mr Fine Wine, from WFMU's Downtown Soulville. Hold it, hold it - this ain't over yet! I know: The passage of three long years since we last met may have led you to worry I'd abandoned my noble endeavor to unearth all of the mind-bending rhythm and blues in the nearly bottomless King and Federal vaults. But fear not. To paraphrase the immortal words of Titus Turner in 'Hold Your Loving', I'm gonna keep at it till the meatballs bounce!
The first three volumes of the Fats Domino Imperial Singles series (CDCHD 597, 649 and 689) saw New Orleans’ finest ascend from neophyte blues and boogie-woogie stylist to bona fide rock’n’roll star. With gold-plated hits of the calibre of ‘Ain’t That A Shame’, ‘Blueberry Hill’, ‘Blue Monday’ and ‘I’m Walkin’’ receding into history, it was assumed that Fats had peaked artistically. Wrong: One spin of this release will dispel that notion handsomely.
Super Deluxe Edition Of The Band’s 1972 Classic Includes Newly Remastered Original Album Plus 20 Previously Unreleased Studio And Live Recordings.
In December 2015 Cold Chisel ended their massive One Night Stand tour with three special shows they dubbed The 'Last Stand' of the Sydney Entertainment Centre. These wild, unhinged and emotional shows were played immediately prior to the iconic venue's demolition and for Cold Chisel it had a double sense of occasion, given that the "Ent Cent" was the venue where Cold Chisel played their legendary farewell shows back in December, 1983 - the band not playing together again for another 15 years.
Set 3: Pennsylvania - July 22nd, 1992. 2008 repressing of this deluxe eight CD box set, subtitled From The Manticore Vaults. Four epic concerts make up this suitably extravagant box set by the unchallenged kings of Pomp-Rock, whose majestic three-way instrumental interplay laid down the blueprint for the Progressive '70s. Features shows from Hartford Civic Center (1977), Chicago (1978), Pennsylvania and Jones Beach (both from 1992), 61 tracks. Volume #4 seemed to have completely caught me by suprise. Out Of The blue[excuse the unintended pun]. I was indeed unprepared; Since I own volumes I-III; I had no choice but to buy this ELP set. Volume IV contrasts dodgy to somewhat good -great audio performances of ELP specifically comparing/contrasting the ELP years of 1977/1978/1992. It is a true sucessor to volumes I-III.
Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Miles Davis’ 20-year association as an artist at impresario George Wein’s renowned Newport Jazz Festival is a thriving tradition celebrated with the release of MILES DAVIS AT NEWPORT 1955-1975: THE BOOTLEG SERIES VOL. 4, released 60 years to the date since Davis’ breakthrough performance at Newport in 1955. The four-CD box set is comprised of live performances by Miles’ stellar band lineups in 1955, 1958, 1966, 1967, 1969, 1971, 1973, and 1975, in Newport, Rhode Island, New York City, Berlin, and Switzerland. (All tracks previously unreleased, except where otherwise indicated).
Rock & roll music scholars debate when the genre really began and which artist produced its first recording. But critics can agree that the music which defined a generation had its roots in the blues and rhythm & blues artists of the 1940s. Many of those early artists were African Americans who saw their songs recorded by young white musicians who liked their music so well they thought they wrote it. Setting aside the important issues of copyright piracy and musical equities, the kaleidoscope of contributors to the rock & roll idiom makes for interesting listening. This CD is part of a series that goes back to those days in the 1940s before rock & roll had a name and started a cultural revolution. This volume focuses on the year 1948, when an avalanche of great music was released, all bearing the throbbing beat that was to characterize the music later called rock & roll…