A very unusual album from Clifford Jordan – a session of shorter soul jazz numbers cut in the years between his earlier hardbop albums and his later, more righteous sounds of the 70s! The style here is straightforward and to the point – very much in the Atlantic soul jazz style of the late 60s, but with some looser, freer touches – especially on Jordan's solos, which are especially nice! There's organ on a fair bit of tracks on the record – played by either John Patton or Frank Owens – and other players include Jimmy Owens on trumpet, Bob Cranshaw on bass, and Billy Higgins on drums. Most tracks also have added percussion at the bottom (some by Ray Barretto) – making for a slightly more complicated groove that comes across with some headier sounds than you might expect! Jordan not only plays his usual tenor, but also flute and a bit of piano.
Mouth were formed in Cologne in 2000 as a trio, comprised of Christian Koller (vocals, guitars, occasional keyboards), Gerald Kirsch (bass) and Nick Mavridis (drums, backing vocals, keyboards). Their style is often cited as a mixture of 'retro prog', Krautrock, hard rock, psych rock - all together it fuses into a unique spleen often underlined with dystopian themes.
The two-man black metal outfit known as HAT (Norwegian for "hatred") released its second full-length album, "Vortex Of Death", via Abyss Records. The follow-up to 2009's "The Demise Of Mankind" promises to deliver the same razor-sharp aural nihilism as its predecessor
New project from Mahtrak keyboardist Paulo Viana with special guests from Mahtrak and Univers Zero.
Grisey's music: a mysterious lever -without secrets- inviting one on luminous voyages of listening towards a metamorphosis. Voluptuous irritation of the experience of sound and time -in perpetual transformation, decomposing and crystalizing: Phoenix and ashes at the same time.
New project from Mahtrak keyboardist Paulo Viana with special guests from Mahtrak and Univers Zero.