W.f Bach

Sergio Azzolini, Maurice Bourgue & Kimiko Imani - Haydn, W.F. Bach, C.P.E. Bach: Trios for Oboe, Bassoon & Piano (2018) [24/48]

Sergio Azzolini, Maurice Bourgue & Kimiko Imani - Haydn, W.F. Bach & C.P.E. Bach: Trios for Oboe, Bassoon & Piano (2018)
FLAC (tracks) 24-bit/48 kHz | Time - 108:24 minutes | 1.00 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The combination of oboe, bassoon, and piano makes a wonderful sound, especially when the oboe is played by one of the instrument’s legendary exponents. Frenchman Maurice Bourgue, now in his late 70s, still plays with fabulous control and style, and can make a line genuinely sing. His two colleagues, Sergio Azzolini (bassoon) and Kimiko Imani (piano), play with enormous sympathy and clearly enjoy this music. Haydn, characteristically, spins magic while J.S. Bach’s two sons find inspiration in this unusual lineup, writing music of charm and elegance.
moderntimes_1800 - Sinfonias From The Enlightment: Hasse, Graun, C.P.E. Bach, W.F. Bach, J. Haydn, Mozart (2008)

moderntimes_1800 - Sinfonias From The Enlightment: Hasse, Graun, C.P.E. Bach, W.F. Bach, J. Haydn, Mozart (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 01:33:14 | 483 MB
Genre: Classical | Label: Challenge Classics | Catalog: CC72193

The symphonic works featured on this 2CD set all come from a period during the second half of the eighteenth century that has come to be known as the “Age of Enlightenment” when Frederick the Second ruled over Prussia. Alongside acknowledged masterpieces by Mozart and Haydn, the program also includes pieces by Hasse, Graun and C.P.E Bach that are receiving their first ever recording. The music is performed by the rising stars of the Austrian Chamber Group “Modern Times_1800”.
Markus Bronnimann - J.S. Bach, C.P.E. Bach, W.F. Bach, Benda & Brönnimann- Music for Flute (2023) [24/96]

Markus Bronnimann - J.S. Bach, C.P.E. Bach, W.F. Bach, Benda & Brönnimann- Music for Flute (2023) [24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 25:42 minutes | 456 MB
Classical | Studio Master, Official Digital Download

Am 15. Juni erscheint meine neue CD mit Werken der Familie Bach, Franz Benda und zwei eigenen Kompositionen.
Il Convito & Maude Gratton - W.F. Bach: Concertos pour clavecin et cordes (2015) [Official Digital Download 24/88.2]

Il Convito & Maude Gratton - W.F. Bach: Concertos pour clavecin et cordes (2015)
FLAC (tracks) 24-bit/88.2 kHz | Time - 73:27 minutes | 1.35 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The image of Wilhelm Friedemann Bach (1710– 84) most widely prevalent in our time is that of an eldest son as it were haunted by the memory of his father but who, nevertheless, crippled by gambling and drinking debts, was obliged to sell his share of the precious inheritance constituted by Johann Sebastian’s manuscripts. Yet he was also one of the first composers to carve out a ‘freelance’ existence, like Wolfgang Amadeus Mozart some years after him.
Attilio Cremonesi, Alessandro de Marchi - A duoi cembali: Mattheson, Schaffrath, W. F. Bach, Krebs (1997)

Attilio Cremonesi, Alessandro de Marchi - A duoi cembali: Mattheson, Schaffrath, W. F. Bach, Krebs (1997)
EAC | FLAC | Image (Cue & Log) ~ 402 Mb | Total time: 70:55 | Scans included
Classical | Label: Harmonia Mundi | # HMC 905235 | Recorded: 1995

The novelties here are the Mattheson works, the first two fully composed, the third a figured-bass exercise from Mattheson's treatise on the subject. The sonata is a dramatic, virtuoso outing in the Italian style; the suite, ostensibly more french in character, retains a typical German heaviness.
David Murray - C.P.E. Bach: Württemberg Sonatas Nos.4-6; W.F. Bach: Keyboard Sonata (2021)

David Murray - C.P.E. Bach: Württemberg Sonatas Nos.4-6; W.F. Bach: Keyboard Sonata (2021)
FLAC tracks | 68:32 | 262 Mb
Genre: Classical / Label: MSR Classics

At some point in the late 1990s I had a life-changing musical experience: I came across Glenn Gould’s recording of Carl Philip Emanuel Bach’s A minor Württemberg Sonata and decided to listen to it. I must admit that my expectations were not high (after all, just how good could it be if I had never heard it?). To my surprise, for the next 15 minutes I stood rooted to the spot. By the time Gould played the opening bars of the third movement I had been converted.

W.F. Bach: Concerti / FBO  Music

Posted by knmn at Sept. 26, 2008
W.F. Bach: Concerti / FBO

W.F. Bach: Concerti / FBO
Classical | 2002 | 1 CD | 346 Mb | APE+CUE+LOG+SCANS
A Duoi Cembali: Mattheson, Schaffrath, W.F.Bach, Krebs (Attilio Cremonesi & Alessandro de Marchi) [1997]

A Duoi Cembali: Mattheson, Schaffrath, W.F.Bach, Krebs (Attilio Cremonesi & Alessandro de Marchi) [1997]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 413.32 MB
Classical | HMC | HMC 905235

Mattheson, a pal of Handel's who, if the story is to be believed, almost killed the latter in a duel in Hamburg when both were young, was a composer of considerable talent. Anyone who enjoys Handel's harpsichord music will feel very much at home here. I have hundreds of harpsichord recordings and would rank this in my top ten. Don't miss this beautiful jewel!
By Don G. Evans (Randallstown, MD USA)
Controcorrente Orchestra - Bach Sons - Symphonies by J. C., J. C. F., W. F.  & C. P. E. Bach (2020) [Official Digital Download]

Controcorrente Orchestra - Bach Sons - Symphonies by J. C. Bach, J. C. F. Bach, W. F. Bach & C. P. E. Bach (2020) [Official Digital Download 24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 54:25 minutes | 1,18 GB
Classical | Label: Passacaille, Official Digital Download

A new dynamic Italian Baroque Orchestra makes its debut with symphonies that arent mainstream. As they name indicates, they choose to swim against the current and explore hidden gems of the repertoire.

Camerata Köln - Bach: Sonatas & Trios (2006)  Music

Posted by varrock at March 27, 2019
Camerata Köln - Bach: Sonatas & Trios (2006)

Camerata Köln - Bach: Sonatas & Trios (2006)
WEB FLAC (tracks) - 310 MB | Tracks: 16 | 64:50 min
Style: Classical | Label: CPO

The reputation of Wilhelm Friedemann Bach has taken a harder hit than almost any composer of his relative stature in history. Conventional wisdom has it he was an irresponsible drunk who died penniless and left his family in a state of desperation as not long after his father died he went out the back door of the European musical establishment, ensuring occupational undesirability for the rest of his life. Friedemann Bach was also the subject of a 1941 Nazi propaganda film that dovetailed his life story neatly in with that of Horst Wessel – the association has probably hurt him more than helped.