XTC almost never wrote a sentimental song– which is strange, when you consider how much of their music deals with nostalgia, home and country, and yearning. Their lyrics are bittersweet and escapist, but even in the lost summers of Skylarking, they cling to some element– biting words, knuckle-cracking hooks, or just a distractingly loud arrangement– that keeps their most heartstring-pulling, young-love-eulogizing songs from drifting away. Which is why their 1999 release Apple Venus Vol. 1 is so much more complicated and concrete than a first impression suggests. That album, plus its 2000 counterpart Wasp Star (Apple Venus Vol. 2), came out after a break of seven years. In that time, Andy Partridge, Colin Moulding, and Dave Gregory– who formally left the band before these albums were released– walked out on Virgin, stayed home making demos, and came back with this pair of records on TVT. And five years and no further material later, XTC have packaged them together in the Apple Box, along with lyrics, liner notes, and two demos-and-outtakes albums.
The Doors found their mojo (and Mr. Mojo Risin’) in November 1970 as they recorded L.A. Woman over six days at the Workshop, the band’s rehearsal space on Santa Monica Boulevard. A success both critically and commercially, the album was certified double-platinum and contains some of the band’s most enduring music, including the Top 20 hit “Love Her Madly,” “Riders On The Storm,” and the title track.
The final album with Jim Morrison in the lineup is by far their most blues-oriented, and the singer's poetic ardor is undiminished, though his voice sounds increasingly worn and craggy on some numbers. Actually, some of the straight blues items sound kind of turgid, but that's more than made up for by several cuts that rate among their finest and most disturbing work…
The Doors supplied plenty of post-Independence Day fireworks on July 5, 1968 when the legendary quartet played the Hollywood Bowl, a concert that is considered to be the band s finest on film. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multi-tracks by the group s engineer Bruce Botnick. LIVE AT THE BOWL 68 includes three previously unreleased tracks from the performance. Technical issues with the recording of "Hello, I Love You," "The WASP (Texas Radio And The Big Beat), " and "Spanish Caravan" prevented them from being released in the past. Now, through meticulous restoration of the audio, all three will be included, marking the first time the concert has been available in its entirety.