Win Magazine 217

"IRM" is the 3rd studio album by French electropop singer Charlotte Gainsbourg, with all songs written and produced by Beck except "Le Chat Du Café Des Artistes" (written by Jean-Pierre Ferland). The album title was inspired by the French initialism for an MRI scanner. The title track was released as a free download on 9 October 2009. The album was mostly recorded at Beck's home studio in Los Angeles, California. The lead single is "Heaven Can Wait", a duet with Beck, and was released on 2 November. The music video for "Heaven Can Wait" was directed by Keith Schofield and was released on 19 November 2009. The video for "Heaven Can Wait" was named one of the Top 20 best music videos of 2009 by Spin Magazine. "Trick Pony" is featured in the football video game by EA Sports, FIFA 11.

Actually is the second album by English pop duo Pet Shop Boys, released on 7 September 1987 by Parlophone in the United Kingdom and by EMI Manhattan in the United States and Canada. Actually is featured in the 2005 musical reference book 1001 Albums You Must Hear Before You Die, and in 2006 Q magazine placed the album at No. 22 in its list of "40 Best Albums of the '80s". In 2012 Slant Magazine listed the album at No. 88 on its list of "Best Albums of the 1980s". Actually was re-released in 2001 as Actually/Further Listening 1987–1988. The re-released version was not only digitally remastered but came with a second disc of B-sides, remixes done by the Pet Shop Boys and previously unreleased material from around the time of the album's original release.

GRAMOPHONE Magazine Editor's Choice - February 2016. Critical acclaim for Jonathan Plowright's two previous discs in his series of Brahms’s works for solo piano includes distinctions such as ‘10/10’ on the website Classics Today and top marks in Diapason as well as ‘Instrumental Choice of the Month’ in BBC Music Magazine. On his third disc Plowright presents the listener with two seemingly contradictory aspects of Johannes Brahms: the deeply serious, emotionally charged, but also meticulously constructed late Piano Pieces of Op. 118 and their precursor Op. 76 appear side by side with the unapologetic extroversion and scintillating verve of most (if not all) of the 16 Waltzes Op. 39, and the flamboyant Variations on a Hungarian Melody. Brahms’s fascination with Hungarian gypsy music stemmed from his friendship with the violinist Eduard Reményi, and found an outlet in several works, among which the Hungarian Dances are probably the most famous.