Four-hour, 72-track anthology of the Laurel Canyon music community that became a dominant worldwide force in the late 60s/early 70s. Tracing the scene's development from The Byrds, Buffalo Springfield, Love and The Doors through to early country-rock and the singer/songwriter boom that defined the early 70s. By the end of the 60s, the international music world's nexus had shifted from such previous hotspots as Liverpool, London and San Francisco to Laurel Canyon, a rural oasis in the midst of the bustle of Los Angeles. Just minutes from Hollywood, the Sunset Strip and the LA record companies/studios, Laurel Canyon became home to a folk, country, rock and pop hybrid that encompassed everyone from early players The Byrds and Buffalo Springfield to The Doors, Frank Zappa, Glen Campbell and manufactured pop kingpins The Monkees.
Rock in Rio is a recurring music festival originating in Rio de Janeiro, Brazil. It later branched into other locations such as Lisbon, Madrid and Las Vegas…
It’s been a long 16 years since Bon Jovi was last compiled, when Cross Road arrived for the holiday season of 1994, two years after Keep the Faith capped off a near-decade long run of dominance for the Jersey rockers. As it turned out, it was the first act of Bon Jovi’s career. A subdued second act followed in the ‘90s, with Jon Bon Jovi flirting with a solo career once again before returning to the fold late in the decade, with the band setting out for a decade of professionalism, sometimes cresting into the charts – usually with the assist of a canny country crossover – sometimes not. Greatest Hits condenses the highlights of this journey in a mere 16 songs, just two longer than Cross Road – its simultaneously released cousin, Ultimate Greatest Hits, adds a disc with 12 additional songs – and two of those are new tunes that are unlikely to show up on any subsequent best of.