Water Moon

Magik Saturn is an eclectic rock quartet from New Orleans, Louisiana, seeking to expand the boundaries of music. Moon Water is their debut full length album, released in June 2020.

National Geographic - Living On The Moon (2012)
PDTV | 960x540 | .MP4/AVC @ 2000 Kbps | 44mn 22s | Audio: English AAC 160 kbps, 2 channels | Subs: None | 689 MiB
Genre: Documentary

By 2050, lunar settlers could be making oxygen, growing food and finding water in a bustling, self-sustaining settlement. See what life may be like on the Moon. The day before the 40th Anniversary of Apollo 11, NGC presents Living on the Moon. Man has always dreamed of living on the moon, and now a team of NASA scientists is proving that dream could be achieved in our lifetime. We take viewers inside Constellation, the space program's plan to establish a human outpost on the moon by 2020. Take a closer look at the plans underway, from upgraded space suits to housing modules and moon vehicles, and examine the challenges ahead, such as finding water, making oxygen, growing food and protecting residents from deadly radiation.

Sony has packaged this album like a 1980s disc of music to snog by, but the saxophonist Amy Dickson’s new release is an intriguing and entirely serious collection of recent works by Australian composers, works she did much to create. The title work, premiered by Dickson in 2012, is a late score by Peter Sculthorpe. The first movement is sun drenched and full of yearning, the saxophone soaring over a teeming orchestra; the second is a more unsettled expression of homesickness. Ross Edwards’s concerto entitled the Full Moon Dances – recorded, unlike the rest, live in concert – is elegantly scored and evocative, especially in the opening Mantra, in which the saxophone interweaves with the orchestral soloists, and in the pulsing, almost Stravinsky-esque First Ritual Dance. But it is Brett Dean’s 2007 flute concerto The Siduri Dances, here arranged for saxophone, which offers the most wide-ranging demonstration of Dickson’s mastery with its note-bending, buzzing effects and hectic rhythms.

It's a bold concept; take Pink Floyd's iconic Dark Side of the Moon (Harvest, 1973) and reinterpret it in a big band jazz setting. With upwards of forty million copies sold, every note, every nuance of Floyd's eighth album is so firmly entrenched in the minds of the band's legion devotees that to tamper with the work in any way is to leave oneself open to facile criticism. French-Vietnamese guitarist Nguyên Lê, however, is nothing if not adventurous. Lê has already demonstrated on Purple: Celebrating Jimi Hendrix (ACT Music, 2007) and Songs of Freedom (ACT Music, 2012)—his tribute to classic pop and rock songs of the 1960s and 1970s—that he can breathe new life into old material without being overly reverential.

The sister of the TUBULAR BELLS composer Mike Oldfield, Sally Oldfield had contributed to many of her brother's recordings before releasing this solo debut in 1978. With her mellifluous vocals and a similar multi-instrumental ability to her brother, Oldfield spins a series of Tolkien-esque tales that set her firmly in the vanguard of 1970s prog rock…