Guitar giant Robben Ford’s new album Bringing It Back Home is a stunning study in soul, style and virtuosity that cuts to the heart with its exceptional, emotion-laden musicianship. The disc also brings the five-time Grammy nominated stage and studio legend back to his earliest roots as a performer, playing blues.
Decades before Corey Harris, Guy Davis, and Keb' Mo' wed the Delta blues to various folk forms, there was Taj Mahal. Almost from the very beginning, Mahal provided audiences with connections to a plethora of blues styles. Further, he offered hard evidence connecting American blues to folk styles from other nations, particularly, but not limited to, those from the West Indies and various African countries, bridging gaps, highlighting similarities, and establishing links between many experiences of the African diaspora…
The first two Rhino doo wop box sets were straightforward anthologies of the best music in the style, concentrating on big and small hits and the best overlooked rarities. The third installment is also a worthy chunk of the genre's better moments, yet it is definitely a notch or two below its predecessors. Part of the reason is that, as many doo wop records as there were, the lion's share of the great hits were already used up on the first two boxes.