To simplify my life considerably, I'm going to combine the "reviews" of all six Stage releases into a single entry, even though they were released individually. Also, to save a lot of time and effort, I'm not going to give complete track listings of the twelve discs, or do song-by-song reviews (hey, we're talking over 800 minutes of music here, give me a break). If you need to know the track listings, they're probably available through an on-line music sales site like CDNow, or an information site like the All Music Guide. There's probably a few other Zappa sites that list them as well. Maybe one day when I have the time, I'll come back and expand this section to really cover all twelve discs in detail. Until then, I'll just give some general facts and opinions, focusing on highlights and material unique to the Stage series.
Fifty years after the three-day concert made rock’n’roll history, a gargantuan, 38-disc set attempts to tell the full story of the event for the very first time. The mythological status of 1969’s Woodstock Music and Arts Festival can sometimes feel overpowering. The festival is the ultimate expression of the 1960s. Moments from the three-day concert have crystallized as symbols of the era, with details like Richie Havens’ acoustic prayer for freedom, Roger Daltrey’s fringed leather vest, or Jimi Hendrix’s “Star Spangled Banner” held up as sacred countercultural relics.
Over the course of four CDs, this is the essential musical history of the loudest island in the world, with the emphasis on essential. It starts in the time before ska, and brings it all up to the dominance of dancehall in the '90s. Along the way there's ska, rocksteady, reggae, and dub; 95 great tracks, every single one a classic. About the only major artist not represented is Lee Perry, and his productions sneak in there. Steve Barrow's notes will carry you through the story. This is about as perfect as they come, in both form and content.
Volume one of Decca's Britten opera series includes both of the blockbusters mentioned above, the charming comedy Albert Herring, and the rarely heard television opera Owen Wingrave, all recorded between 1959 (Grimes) and 1971 (Wingrave).