We Are

We Are the Champions: Final Live in Japan is a live concert video of English rock band Queen's performance at the Yoyogi National Gymnasium, Tokyo on 11 May 1985 as part of the Japanese leg of The Works Tour. The film's title is slightly inaccurate, as Queen actually performed two more shows in Japan (in Nagoya on 13 May, and in Osaka on the 15th). The 90-minute film is not the full concert, leaving out Brian May's guitar solo and Dragon Attack. The video is also edited for time by cutting away setup waits between songs. Only officially released in Japan, it first appeared as a video release in 1992, then as a laserdisc and VHS release, before a DVD release in 2004 with new artwork.

We Are the Champions: Final Live in Japan is a live concert video of English rock band Queen's performance at the Yoyogi National Gymnasium, Tokyo on 11 May 1985 as part of the Japanese leg of The Works Tour…

The Amorphous Androgynous return with the symphonic, 40-minute prog space-rock concept album ‘We Persuade Ourselves We Are Immortal’. The album contains 5 epic parts, featuring the legendary Peter Hammill (the Van Der Graaf Generator) on vocals alongside a host of musicians including: Paul Weller (piano and guitar), Ray Fenwick (Spencer Davis Group/Ian Gillan) on lead guitar, Brian Hopper (Caravan/Soft Machine) on sax. The Chesterfield Philharmonic Choir and a 25-piece live orchestral string section round out this sumptuously-recorded album.

For fifteen years, Devon Church plied his craft as one half of the ambient-electronic outfit EXITMUSIC. Rarely did he assume the position as the person with the mic, but he did orchestrate much of the duo’s cinematic soundscapes. Following his and Aleksa Palladino’s announcement they getting a divorce and, thus, bringing an end to one of the great indie bands of the past decade-plus, Church drowned himself in his solo work. Unlike others in his position, he sought to find the light in the darkness and start anew, which he reveals in his debut album.

Cameo's second album, We All Know Who We Are, is uneven, but it has its moments, both in the quiet storm field ("Why Have I Lost You") and the disco-funk category ("It's Serious"). Much of the record sounds like filler, but the best moments illustrate that Cameo is beginning to grow and refine their own sound.
An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. However, Cameo eventually wore off accusations of being derivative by transcending their influences and outlasting almost every single one of them. Throughout the '70s and '80s, the group remained up with the times and occasionally crept ahead of them, such that they became influences themselves upon younger generations of R&B and hip-hop acts…

Recorded live on the spring tour 2011.
Even with a career that has brought us an incredible twenty-one studio albums, British folk legends Steeleye Span’s history still includes a number of records that stand out as landmarks. 1974’s Now We Are Six was one such moment, an album that saw the band expand both their line up to a six piece and with it their sound to explore even further their own unique blend of rock and folk music. A critical and commercial success, the record would provide a home to a number of band classics down the years.
Thirty-seven years later and Steeleye Span find themselves at another milestone…