The great Czech bassist returns once more to the music of Weather Report, the group he co-founded with Joe Zawinul and Wayne Shorter in 1970. It’s the improvisational freedom of the early Weather Report that most interests Vitous, and he abides by their old rallying call “everyone solos and no one solos”. Well-known Report repertoire re-explored includes “Birdland”, “Seventh Arrow”, “Scarlet Woman”, “Pinocchio” and “Morning Lake” and Miroslav’s group also plays “Acrobat’s Issues” a piece which the first Weather Report line-up played but didn’t record.
Weather Report's ever-changing lineup shifts again, with the somewhat heavier funk-oriented Leon "Ndugu" Chancler dropping into the drummer's chair and Alyrio Lima taking over the percussion table. As a result, Tale Spinnin' has a weightier feel than Mysterious Traveller, while continuing the latter's explorations in Latin-spiced electric jazz/funk. Zawinul's pioneering interest in what we now call world music is more in evidence with the African percussion, wordless vocals, and sandy sound effects of "Badia," and his synthesizer sophistication is growing along with the available technology. Wayne Shorter's work on soprano sax is more animated than on the previous two albums and Alphonso Johnson puts his melodic bass more to the fore. While not quite as inventive as its two predecessors, this remains an absorbing extension of WR's mid-'70s direction.
To commemorate the 40th anniversary of Weather Report the Zawinul estate is proud to release this live DVD document of the band's performance in Offenbach, Germany, on September 29th, 1978.
The recording features arguably the most individual group ever to mix elements of jazz, rock and electronics and they're captured here at their absolute best.
Here's more proof that Weather Report actually became a more potent, life-affirming musical force after the departures of its best-known sidemen. Things begin on an oddly commercial note with a pop song "Can It Be Done," sung by Carl Anderson, that actually lays out Weather Report's credo, searching for sounds never heard before. Then Joe Zawinul and company get down to business with the funky "D-Flat Waltz," marked by Omar Hakim's flamboyantly complex drumming. Zawinul's synthesizer textures become thicker and more flexible with the help of newly-introduced digital instruments, and the funk element in general becomes more pronounced than on any record since Tale Spinnin'.
On Mr. Gone, Weather Report becomes merely a cover name for a Joe Zawinul/Jaco Pastorius jazz/rock/funk record production, with several guest drummers (Steve Gadd, Tony Williams, Peter Erskine), no resident percussionist, and Wayne Shorter as a still-potent solo saxophone threat. This album was denounced in its time as a sellout, probably on the reputation of Jaco's pulsating "River People," which is as close as WR ever came to outright disco.