Coming out of the ashes of the Crazy World of Arthur Browne, Atomic Rooster always had the reputation of being an early progressive rock band. In many ways, they do not really fit into that progressive rock label, coming across as a lot more straightforward and less adventurous than many of that ilk. However, they really did present a very unique sound that seemed to build on the strangeness of Brown's outfit while infusing it with a more serious tone. This compilation includes quite a few killer cuts from the group's career. Seeming to be a good introduction to the sound of this outfit.
ATB is the alias of progressive house/trance DJ and producer André Tanneberger, a native of Freiberg, Germany, born in 1973. ATB's catchy, vocal-driven singles crossed over from clubs to mainstream pop radio, making him one of the most recognizable artists of trance's late-'90s/early-2000s commercial peak…
The four-disc box set called the Acoustic Collection: 1999-2002 assembles the three albums Dolly Parton cut for the independent Sugar Hill label, and a hodgepodge bonus DVD. The albums – The Grass Is Blue, Little Sparrow, Halos & Horns – were all critically acclaimed as they signified a return by Parton to her bluegrass and backwoods country roots. That said, there are cover versions here of many songs, including one of Led Zeppelin's infamous, ubiquitous hit, "Stairway to Heaven." The enclosed DVD features five new song mixes for "Seven Bridges Road," "Travelin' Prayer," "Train, Train," "Shine," and "I'm Gone." There are two non-Parton performances recorded at the Dolly Parton Tribute by Kasey Chambers and Sinéad O'Connor, three videos for songs from this collection, and a duet performance between Parton and Norah Jones singing "The Grass Is Blue."
Playing sideman to Rick Braun, Larry Carlton, Gato Barbieri, the Neville Brothers, and many others introduced guitarist/vocalist Steve Oliver to smooth jazz fans, but it was with Steve Reid's band that Oliver found a following. It was 1996 when Reid contacted Oliver at the last minute to fill in for a canceled opening act. Oliver hit the stage as a solo act and Reid was impressed with the guitarist's vocalese skills and summery sound. Oliver had come to vocalese not through King Pleasure or Lambert, Hendricks & Ross, but through Bobby McFerrin and Pat Metheny's work with Richard Bona and David Blamires, who sang along with guitar solos. Being a fan of the earthy Metheny sound, Reid hired Oliver after the gig and featured him in his touring band. Reid's Mysteries and Passion in Paradise albums featured Oliver not only as guitarist but songwriter as well. Oliver struck out on his own in 1999 with his debut, First View, released by Night Vision. The album spawned three hit singles on smooth jazz radio and earned the guitarist a Debut Artist of the Year award from Smooth Jazz News.
Here's yet another composer-performer who abhors the idea of building walls and fences between musical cultures. He's been carrying on parallel activities in the jazz and classical worlds ever since he was a youth in his native Argentina. Schifrin has composed a series of suites putting such jazz greats as Ray Brown and Grady Tate together with the London Philharmonic in a mix of originals, arrangements of standards, and several 13-14 minute tributes to the giants of jazz.