Martin Neary and Westminster Abbey Choir, aided and abetted by the New London Consort, marked the tercentenary of Purcell’s death with this recording, a majestic album of the composer’s music for Queen Mary in life and in death. The Funeral Music opens here with Wood’s transcription of the ‘Old English March’ in procession through Westminster Abbey’s reverberant interior, then in company with the windband marches of Tollet and Paisible and Purcell’s Funeral March. For sense of place, history, and grandeur, nothing beats Neary’s recording. His choir are on peak form in Morley’s Funeral Sentences but hindered by indistinct recorded sound.
Westminster Abbey has been the focus of British royal occasions for centuries, and the early seventeenth century saw the most dazzling musicians of the age writing music for the Court in all its various incarnations. This fascinating disc presents a selection of works from the reign of King James I. The most celebrated name on this disc is that of Orlando Gibbons, and some of his most masterly works are presented on this CD.
Victoria was the greatest Spanish composer of the late Renaissance. Compared with the prolific Palestrina the number of his works is not great; compared with Byrd, Victoria’s music is not so varied or wide ranging. Indeed, placed beside the enormous output of Lassus, Victoria’s achievement seems to be very restricted; there is none of the dazzling virtuosity and broad culture, none of the extraordinary diversity. Yet, in its narrow specialization in strictly liturgical or devotional function, Victoria’s music is not only the most perfectly suited to its purpose, but the most perfectly styled and fashioned of its kind, its emotional heart perfectly in accord with Roman Catholic liturgical ceremony in the Tridentine Rite. Even more than Palestrina’s, Victoria’s art is an expression of Catholicism as defined by the Council of Trent.
From established favourites by Ralph Vaughan Williams and Sir John Tavener, to recent works—including two premiere recordings—by Sir James MacMillan, this is an outstanding programme of choral works with strong musical and historical connections to Westminster Abbey and its celebrated choir.