What Mobile From April 2016

In many facets, Big Brother and the Holding Company's Cheap Thrills is the quintessential album to spring from the outcome of the Summer of Love. Best known as Janis Joplin's major-label debut, the 1968 set arrived when the countercultural movement was in full swing and before co-optation, drugs, and violence signaled the fall of the era. Ranked #338 on Rolling Stone's 500 Greatest Albums of All Time, it puts a female singer in the prominent position traditionally given to a male and showcases a band pouring a potent cocktail of fiery psychedelic, blues, and folk sounds that informed the unfettered creativity of the San Francisco scene. Produced by John Simon, Cheap Thrills also features one of the most iconic and elaborate album covers in history.

Billed as the “Piano & A Microphone” tour, Prince presented exactly what was advertised. A baby grand piano sat alone, with only a few clusters of candles sharing the stage, while a massive video screen projected kaleidoscopic swirls throughout the hour and 20 minute show. While remnants of the flu that sidelined him last week and caused the postponement of these shows was apparent when he talked (he did apologize for last week’s cancellation), when Prince sang, he sounded sublime. Sabotage has given us the best recording of Prince’s last show, and its a MUST OWN release in my opinion. I really did need all the filler tracks, but what matters is the quality of the final show, and its great.

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Big Brother are primarily remembered as the group that gave Janis Joplin her start. There's no denying both that Joplin was by far the band's most striking asset, and that Big Brother would never have made a significant impression if they hadn't been fortunate enough to add her to their lineup shortly after forming. But Big Brother also occupies a significant place in the history of San Francisco psychedelic rock, as one of the bands that best captured the era's loosest, reckless, and indulgent qualities in its high-energy mutations of blues and folk-rock.

As part of Chandos Tribute to Lydia Mordkovitch, this re-issue features Bruch’s Violin Concertos Nos 2 and 3 performed by Lydia Mordkovitch with Richard Hickox and the London Symphony Orchestra. Both were recorded in 1998 in Blackheath Halls in London.

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