With this album, Herb Alpert and the Tijuana Brass settle into their hitmaking groove, the once strikingly eclectic elements of Dixieland, pop, rock, and mariachi becoming more smoothly integrated within Alpert's infectious "Ameriachi" blend. They sound more like a band; along with Alpert's now-indelibly stamped trumpet sound, you can recognize jazzman John Pisano's distinctive rhythm guitar, Lou Pagani's piano, the droll Bob Edmondson's dulcet trombone, etc…
Kenny Wheeler has a stunning lyric imagination, apparent in the burnished luster of his flugelhorn and the subtle structures of his compositions. Its present too in the way he picks his musical partners and constructs situations that bring out the very best in them. The quartet here includes two longstanding partners in bassist Dave Holland, a collaborator for nearly four decades, and pianist John Taylor, a regular associate in the group Azimuth. Tenor saxophonist Chris Potter, a regular in Hollands quintet, completes the band; with lines of empathy connecting all four musicians. The absence of a drummer highlights each musicians unique sound. Wheelers lines seem to dance on Taylors limpidly fluid piano like sunlight on water, while Potter blends a muscular assertiveness with Wheelers reflective tunes.
Sylvan Esso's sophomore album, What Now, is the sound of a band truly fulfilling the potential and promise of their debut. Everything has evolved - the production is bolder, the vocals are more intense, the melodies are more infectious, and the songs shine that much brighter. What Now is an album of the finest songs this band has ever written- produced masterfully, sang fearlessly- to articulate our collective undercurrents of anxiety and joy.