Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Monty Alexander's always great in a trio, but we really love the pianist when he's trying to add a little something extra to the mix – as he does here in a quartet performance that features some nice added percussion from Robert Thomas! The tracks have that warm glow and open flow that Alexander first started bringing to his music in the 70s – with sensitive rhythm work here from Reggie Johnson on bass and Ed Thigpen on drums – but the added percussion really helps things swing at a slightly higher level, giving a gentle kick to some cuts, while Monty's still able to open up with some warmly lyrical lines over the top.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A nice little set from Monty Alexander – a Sunday Night session recorded with the same group, on the same weekend as his Saturday Night album! Monty Alexander's always great in a trio, but we really love the pianist when he's trying to add a little something extra to the mix – as he does here in a quartet performance that features some nice added percussion from Robert Thomas! The tracks have that warm glow and open flow that Alexander first started bringing to his music in the 70s – with sensitive rhythm work here from Reggie Johnson on bass and Ed Thigpen on drums – but the added percussion really helps things swing at a slightly higher level, giving a gentle kick to some cuts, while Monty's still able to open up with some warmly lyrical lines over the top.
3x RADIO BROADCASTS ON 3 CDs - CAPTURING DIFFERENT ERAS OF THE CAPTAIN S CAREER Noted for his powerful singing voice with its wide range, Van Vliet also played the harmonica, saxophone and numerous other wind instruments. The group drew attention with their cover of Bo Diddley's "Diddy Wah Diddy", which became a regional hit. It was followed by their acclaimed debut album Safe as Milk, released in 1967 on Buddah Records. The first disc in this set concentrates on this period of Beefheart s career, featuring a radio broadcast of a live performance at The Avalon Ballroom in 1966, and a number of other tracks from various radio sessions from 1967 and 1968. By 1974, six albums in and frustrated by a lack of commercial success, Beefheart released two records of more conventional rock music that at the time were critically panned.