When The Stars Went Out

This 5-DVD Collector's set features all 26 uncut, original broacast episodes from the second season of the Monkees. DVD speial features incude 5.1 Audio, commentary tracks with all four Monkees, an exclusive interview and vintage TV commercials. Includes episodes 33-58 and the bonus "33 1/3 Revolutions Per Monkee".

The concept of TALKING WITH THE BLUES is based on a view of the various US states as blues regions. Even casual blues listeners are familiar with the fact that there is Chicago Blues or Mississippi Blues and the gripping social history of the music is very much marked by its geography. But there is much more that just those two places and to this day blues music stays committed to local styles. Moreover, many US states are endowed with a unique cultural identity grown out of the prevailing social, historical and ethnic realities. Reflections of these specific identities are also expressed in the blues.

If Out Among the Stars had come out when its sessions were completed, it would've appeared sometime in 1984, arriving between 1983's flinty Johnny 99 and 1985's slippery, sentimental Rainbow. Allegedly, this album – discovered by Legacy and John Carter Cash during some archival work in 2012 – was shelved because its Billy Sherrill production was just a little bit too pop for Johnny Cash's taste, but that reasoning isn't sound, particularly with the Chips Moman-produced crossover of sugar of Rainbow taken into consideration. Moman had been riding high on the hits he produced for Willie Nelson – notably "Always on My Mind," Willie's last great crossover smash – and he applied a similar heavy-handed touch to Cash, who at that point was several years away from his last Country Top 10 hit.

Latin-Soul-Rock by the Fania All-Stars is a half-live, half-studio album. In addition to featuring a few of the actual Yankee Stadium recordings, such as the now-infamous Larry Harlow/Heny Alvarez–penned “Congo Bongo,” the record demonstrated how well the Fania All-Stars could play with others in the studio, namely Billy Cobham, Jan Hammer, and Jorge Santana; and at the same time, flex their Latin rock and funk muscles on tunes like the Marty Sheller–arranged “There You Go” and “Viva Tirado,” recently made a hit by El Chicano; and then there was the Bobby Valentín–arranged “Smoke,” which wouldn’t have been out of place spinning on one of Kool Herc’s turntables a few miles down the road from the “House that Ruth Built.” It was fusion, it was funk, it was salsa.

In the late 1950s, the Doo Wop era began in a small subway arcade shop located beneath the Walgreen's Drug Store at Broadway and 42nd Street in New York City. Jerry Greene, a young teenager from Brooklyn, would travel to Times Square in search of records he heard on the Alan Freed radio show. One of his favorite stops was a costume jewelry store that strangely enough, also sold records - twenty for a dollar.